Impressionistic Portraits Of Contemporary Chinese

Traditional Chinese painting of the relationship between character portraits, reflectthe figure painting aesthetic law, is the artistic creation of the creation of figurationespecially important aesthetic standards. Figure painting, shows the splendid history ofChinese painting art, with strong cultural connotation. The relationship of ancientportraits of the theory of reading, we can see from the long history and the broad andChinese painting. In addition, prolongs the Chinese painting development has the verystrong artistic vitality, the present situation of the development of modern Chinesepaintings is toward cheerfully, unique charm, this paper elaborates the chapter fivepoints about the contemporary Chinese painting character portraits relations:The first chapter of expatiating the ancient China traditional Chinese paintingoutside the development of the study on the relationship between the characters process,from start to appear to this one of the development of the theory of mature process.Which focuses on several representative character, they are the portraits of the study onthe relationship between the milestone.The second chapter of contemporary ink painting figure painter were reviewed inthis paper, of which there are several important artists such as: xu beihong,JiangZhaoHe, HuangZhou etc, they this a batch of painter contributed from traditionalto modern China is several important representatives.The third chapter basically to contemporary ink painting figure painting paper form,discuss what form come from,"form" is to point to?"God" come from, the modelling ofthe relevant respectively for careful description, portraits and expression, portraits anddynamic, portraits and dynamic, and so on, from four aspects to decomposition form."Shape write god" method-free "form is indivisible, and want to reach the goal, mustdepend upon the form of communication, form is the carrier of god.The fourth chapter of contemporary ink painting portraits of the characters and therelationship between the relationship skills, techniques is the painter works selfexpression methods, and is modelling method, therefore the technique is very importantto mature, this chapter is to the contemporary ink painting techniques for research.Chapter5about modern artist outside of the relationship between research anddevelopment. Time forward constantly refresh record, portraits in the long historical relationship in the long river are developing constantly, until the contemporary getoutbreaks. On one hand, it is the spread of western culture and the reference,2it is tothe human anatomy the application of knowledge. Three Chinese culture itself gotinclusive development, in the era of vein portraits are also unprecedented researchfurther research and performance.The last to form the relationship between summary: Chinese contemporary inkpainting figure drawing portraits of constantly with The Times and development,reflects the character of the age and the national aesthetic features..Full text on the relationship between the theory of ancient portraits inheritance,reflect form in contemporary Chinese painting in the relationship characters reflect andnew development.