Baogang Zhaocity Teleplays

With the advance of reform and opening up , China’s urban construction, the rapidexpansion of the public sectors of the stage of history and culture of the people graduallyseparated from the official culture of the previous grand unified；Meanwhile, the officialmainstream culture, mainstream ideologies start to amend the.Thus, a not only in line with publictaste , but also in line with the theme of the drama of the official cultural requirements ready tocome .Baogang Zhao city television show that while efforts to adhere to the rules of the game ,with the official mainstream culture to reach a compromise , its victory is because he not onlycater to the requirements of the traditional psychological heritage of the general public andemotional catharsis , but also with the official tradition publicity dark deeds, so the official ChinaDramas , everyone is happy .Director Baogang Zhao’s success , or an artist ’s success , its root in their experience, andperspective from the spirit of semantic analysis of the expression of the artistic experience andexperience . Segments up : art select , stick art , art work around these areas to collate andanalyze .Urban youth as old Beijing native , Zhao Baogang " metropolis ," Beijing has not let go ofsincere emotion , has not abandoned childhood mirror and the collective unconscious mind ,shooting urban television show that has a unique advantage , right about the city various types ofups and downs of the story have their own unique perspective and congenital conditions forhimself . This is the first chapter of the thesis introduces the personal experience of the directorZhao Baogang . Through vertical and horizontal analysis , and draw Zhao Baogang urban dramain the domestic drama .China ’s reform and opening up the TV screen become more colorful , competingemergence of multi - style television series , remove the main theme of drama , to reflect thesecular life , worldly emotion -based melodrama ushered the unstoppable ratings boom to thecity as the background environment , the teleplays urban emotional life story prototype modernpop elements , the aesthetic characteristics of the city has now become the importantmanifestations in the drama field . Baogang Zhaosimply took a popular TV series, the trend ofthe times and select the theme of urban life in the popular TV drama style positioning . This isthe second chapter of the thesis .Teleplays of Baogang Zhao director of the city , around the controversial topic of socialdramatic treatment , changing the aesthetic expectations of the popular TV mediocrity modeglamorous appearance and a rich and profound connotation and leading the fashion of the spiritof the times . Director Baogang Zhao trying to use the most unusual perspective , the most easy -to - the theme of young people to accept the inevitable problems arising from China ’s urbandevelopment to explore the art and the spiritual world of the younger generation of positive ,positive guide in urban reform to reflect improvements, continue to weigh in the dream andreality and trying to find the way of balance constraints . This is the third chapter .Baogang Zhao director and directed the city teleplays , non-mainstream social and culturalstudies, but most audience favorite TV shows to the continuous development of type . Study Baogang Zhao director and his city teleplays , the development of Chinese contemporary TVseries will be found and help . This is the fourth chapter .