The Spirit Of Rationality And Reflection In Yang Jiang’s Prose

Yang Jiang’s prose is known as tactful and irony, what behind the brisk andresonant words is the author’s lofty and stubborn charactor.However, the reasonwhy the writer is not stay at the level of emotional catharsis, but from a higherlevel look at the suffering is due to her thinking which above in Chinese and Westernperspective. Therefore, in the process of writing, the author always keep in mindthinking about the world and bend self-reflection.There are three parts in this article to introduce the rational spirit of YangJiang’s reflection. These three areas, including the way of reflection, thecontents of reflection and the position of reflection,while the foreword of thearticle introduct Yang Jiang’s family background and educational background. Inthe new century, Yang Jiang as a centenarian re-emerged in the literary critics,her ambious state and detached idea won the people’s attention once again.Theattitude of the writer face to the completed current sociaty is worthy of ourconsideration.The first chapter of Yang Jiang’s prose is interpreted from the perspective,language, deconstruction. At different angles, Yang Jiang’s thinking demonstrateas different landscapes. Yang Jiang give full play to their own advantage in novelwriting and theater creation, use wealth of practices in the prose writing,andthere are so colorful prose expression. Flexible conversion in perspective allowthe author to use a more complete perspective to examine the object; thediversification of linguistic provide possibility for a deeper level aestheticimplication; at the same time, the use of deconstruction can digest theunreasonable phenomenon or person more directly. The help of these creative methods,the author is no longer entangled in the confliction between the reality and theinner, just let her most profound insights expressed tactfully and accurately.The second chapter based on Yang Jiang’s decades of prose writing and the style expressed in the prose as the basis to make the creation staging. At the beginningof Yang Jiang’s creation,there are much fragmant about the philosophical thinkingof life in the youth.Clever rhetoric and wealth of knowledge are both show thiswoman’s talent; After the Cultural Revolution, Yang Jiang’s description andmemories about the suffering in the Cultural Revolution reflects the deep feelingsof middle age, but the repressed narrative does not prevent with her naturaloptimism, as if the fire in the dark. Yang Jiang who lost loved ones in her oldage, memories full of blood and tears ,but she still write "we Three"’s happylife.At this time,she remove the secular to tie her down and back to the emotion.This emotion is not so strong, on the contrary, some faint, mixed with a littlebitter, it is too emotional to touch countless people, the outpouring of thewriter’s true feelings also help the writer himself. Finally, the centenariansis return to human origins ,by which to finish her regression.The third chapter describes the position of Yang Jiang’s thinking spirit.The prose require strictful for the writers character, because the prose is themost directly expression of writer’s inner feelings and perception,the writer’s character and realm level directly affects the quality of the prose works. YangJiang praise worthy in this regard. Yang Jiang was born in a famous family, bothclassical culture and the outcome of the new literary revolution influenced her,Chinese and Western cultures are both in her mind. In the history of accepttingWestern ideas, extreme sometimes better than rational. A lot of mainstream thoughtalways hover between "Westernized" low self-esteem and stick to the traditionalrigid, both of which are not healthy attitude we should have to accept new things.Yang Jiang in this respect show a natural state, reserved style of the East, theWest’s rational are well represented in her prose works. More unusual is that inthese works there are not anxiety interspersed among them, just some naturalbeauty.