A Study On Transformation From Dunhuang Frescoes Image To Animation Image

In the early days,there are some animations has been adapted according to the Dunhuang frescoes animation, it’s a big regret for domestic animation that it haven’t last long. This thesis analyze the art form and the transformation process of "9-colored-deer ", and comparative analysis various forms Chinese traditional animation, combining modern animation production technology and the standard, to explore the direction to Dunhuang frescoes to animation image.There are many stories in the Mogao Grottoes in Dunhuang mural art, which could provide good material for creating animatiions meet the requirements of the times. Domestic animation "9-colored-deer" had been flourishing for days, which was the beginning of adapting animation from Dunhuang frescoes. This thesis analysis the "9-colored-deer " and grasp favorable factors about the audience widely recognized of "9-colored-deer", and then lay the foundation for creat more ethnic characteristics of the animeto carry forward the Dunhuang grotto art.The article is divided into three chapters. The first chapter is to intoduce the frescoes stories of Cave257of Mogao Grottoes and Chinese national animation research status, to point out that explor the value of Dunhuang Art is the method and trend of the new era of creative animation. The second chapter is to analyze every part of the animation creation and combine with Characteristics of the Dunhuang frescoes, so as to analyze the forming of the anime in the early days. The third chapter is to study animation production technology to make technical and art combine perfectly.