Art Of Visualization In Women In Love

David Herbert Lawrence is one of the most outstanding novelists in theEnglish Industrial Age. In his short life, he produced about fifty volumes of worksranging over different literary types such as novels and short stories, plays, poems,essays, travels and personal correspondence. He is also one of the most unique andcontroversial writers of the twentieth century in English and world literature. He isfamous for his frank treatment of sex and his outspoken upon the need for areadjustment in the relationship between men and women and human and nature,which is defamed and severely criticized as well.D.H. Lawrence is approved and admired for his gift and great achievements inliterature, but few people have noticed his close relation with drawing. Actually, as awriter, D. H. Lawrence is endowed with a great gift of painting. Under the influenceof his mother, a teacher before marriage, Lawrence has a keen interest in art andliterature. In his adolescence painting is his main hobby. Later, he has createdachievement in painting. D. H. Lawrence lays special stress on vision (visual effect),expression and verbal imagination which can be realized by colors and modeling. Heholds that painting and writing has many similarities and he applied some paintingskills to his writing to make it more visual. Under the influence of impressionist,Lawrence pays particular attention to the application of colors, images, and modeling.While writing Women in Love, Lawrence applies colors, images, modeling, visualrhyme and insinuation and other painting techniques to add the visualization of thenovel, and these visualized narratives help readers to understand Lawrence’sintention of creating this novel and highlight the theme of the novel.Apart from the introduction and the conclusion, the thesis contains threechapters: Chapter one focuses on revealing the effect of visualization of the narrativewhich is reflected in the contrasted colors-black and white. Chapter two discusses themodels in the narratives, such as symbolic characters, settings and plots, which highlight the vision of the readers and meanwhile lead readers to explore thethematic meaning of the novel. Chapter three discusses the pictorial narratives suchas insinuation and visual rhyme, which further reveals the visualization of thenarratives.