The Study Of The Fusion And Development Of Oil Painting’s Form Language From Still Life’s Visual Angle

The key point of this paper is to discuss the oil painting language’s development and fusion according to the still life. The first experience of still life is in the painting of large religion, history and custom, which served as a contrast and foil. Until comes into16th to17th century, the still life gradually formed its own aesthetic influenced by hobbies of the middle class in the Netherlands. After the impressionism, post impressionism, cubism, fauvism, modern mainstream faction and still life also became the new way to express new language. And all of these had explored the space for the sill life’s aesthetic.This paper was wrote followed by what, why and how.First, paper define the still life and explain form language. The third chapter discuss the aesthetic characteristics of still life. The forth chapter resolve the problem about the still life’s development and fusion. And this chapter also express my own opinion on oil painting’s form language from the composition, space, color, and brushwork. So this part is the most important. The last part conclude my recognition of form language.