Can Refer To The Imagination——Multiple Images In Tibet Studies

In today’s society, Visual Culture has become an unavoidable reality. See and to be seed in the space-time interleaving, what can not be overlooked more is the social construction of the role of the visual text. The image on the geographical imagination is one of the most prominent manifestation. Tibet, which combines ethnic, religious and cultural factors in one presentation of the most unique geographical outlook in China and the world, attracting a different level of attention of countless people, has been used into different media to be "imaginary" by many individuals or groups, filmmakers and visual text images in particular.Curiously, however, before the founding of new China, the Tibet regional image "imagination" has been dominated by Western directors. After the founding of China, even though Han directors have done lots of useful tries and explore the Tibetan theme images especially Minority theme images.But date back the development, take Tibet-related images compared with the West, whether in number or influence are obviously at a disadvantage. This will form an embarrassing image and cultural survival status, as China’s Tibet with more Westerners conducting their own speech, China on Tibet’s image in the international area often into an aphasia or less language situation. Equally thought-provoking image of Tibet mostly taken by the director by the Han directors and Western directors, Tibetan directors start their own home images are recorded until2003, but very few lonely members with the sound slightly and the force tends to faint.Throughout the evolution of the existing geographical image of Tibet, it is not difficult to find Western social changes are closely linked to a Ministry of images involving Tibet, in fact acts as a record of the history of Tibet and social status and other characteristics of text. Tibet is referred to as one of China’s geographical mapping of the different social backgrounds and Western, Chinese Han and Tibetan directors as well as Western directors give the different styles refers to imagine. This paper uses case studies and comparative research phase combined with the analysis approach and focuses on the West related to Tibet geographical images of different perspective summarized summary. Then the overall perspective of the image of Tibet regional "imagine" the whole picture, which in order to found the whole picture behind the substance of differences in motivation. Domestic Han filmmakers’images related to Tibet involves many aspects, so diversified in Tibet "Imagine" to be rendered at different levels. A wide range of Tibet is not an unconscious instinct to write by Han directors. It is a microcosm of the Chinese film to keep the development of multi-field and deep-seated, implied by the profound political, ethnic, religious and cultural factors formed by the internal logic. Tibetan directors’self-identity consciousness, which derived from the cognitive and Western different media for Tibet false presentation of self-statement that the most perspective turned to the living conditions of the Tibetan. In order to better reduction be rooted in the unique nature of Tibet. Images, regardless of Tibetan culture at the end radieular description or the performance of Tibet in the tide of history, which is difficult to resist these changes.All to varying degrees, reflect the Tibetan directors’self-statement, said the Tibet regional "imagine".In his hometown of many different presentation, looking a stick and break through the national culture.West of the East has long been the cognitive with a steady stream of desire, Western directors of Tibet’s geographical imagination, deeply engraved with the stigma of alienation ", namely, Tibet has already exceeded its geographical concept become more spiritual in Tibet. This "otherness" to imagine as another validation of the West to the East impression invariably extended with two showing the path that the mysterious "Shangri-La" and "problem" in Tibet, the interaction between the two to become the West in the global communication strategy for the cultural and ideological double penetration weapon.In fact, the Tibet regional images of different styles imagine, all reveal the "soul" of the director as a filmmaker, which is a decisive role in shaping its cultural identity of the image. Domestic Han director of the Tibet regional "Imagine a socialist belonging to the homogenization of narrative, or to seek some differences, and more are all on the basis of we "statements to the Chinese nation and the motherland, the boundaries of this to the micro to the macro perspective presents the face of the Tibetan frontier of the brothers. Tibetan directors’self-statement is based on the "I" statements to open up a Tibetan take into account the image expression and self-expression unique road. Two different, but they constitute the Chinese image of Tibet regional "imagine" an important part of. Western director’s cultural identity inevitably out of Tibet geographical imagination during their statements, such statements rooted in long-standing Western cultural superiority, and this superiority of the cognitive image of the east. Obviously, Tibet has become the place of the director of the cultural identity for power and discourse.