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Film And Television Art To Classical Modelling Artistic Beauty Sublation

Posted on:2013-03-26Degree:MasterType:Thesis
Country:ChinaCandidate:L ZhangFull Text:PDF
GTID:2235330371969636Subject:Radio and Television Arts
Abstract/Summary:PDF Full Text Request
This paper will mainly" rely on images." art is divided into two categories: one is thepainting, photography and other classical arts, architecture, sculpture and other only asreferences; but a dynamic film and television art. The article from the classical artistic formalbeauty of the external stresses, through the classical art works, summary of classical art formsthe general rule, until the modern aesthetics to form beautiful theory summary. In this classicstyle art form based on beauty, narrative elements in static modeling art in appearance, to classicart development can say to go up absolutely is a kind of progress. With the invention ofphotography, photography art with its unique artistic charm of dance in the art circle, but similarmodeling features, namely for instant action to grasp, and this alone, although joined the modernscience and technology means, but the art of photography with the traditional painting andclassical art or to go nearly a few. And the photo appeared, people started several photoscontinuous up, thus giving the photographic art narrative characteristics. And this, in a sense, hasbeen to dynamic film and television art transition. In modern film and television art picture andsound evaluation from two aspects of film and television art, in particular the aesthetic rulesmontage standard, formed a personality full of the beauty of form. But after all and classical arthave flesh for film and television art beauty of form, although have personality, but also withclassical art similar aesthetic law. Simple words, the development of film and television art is theclassic form of form beauty of discarding process, Yang is the aesthetic principle, abandon isonly conform to the classical art aesthetic, and dynamic modeling must be discarded.The classic art and modern film and television art discussion, finally draw such a conclusion:for thousands of years of sedimentation from the Gestalt idea and point, line, plane, color, texture,such as bone picture form beautiful language is eternal, this is the picture of the basic law ofartistic beauty of form. For the similar research topic, the domestic and foreign research basicallyis centered around the classical plastic arts and the art of film photography are studied separately,on the screen is nothing more than a light, color, composition and the picture of the basic elements, Metairie in" film aesthetics and psychology" is used in Gestalt psychology of aestheticperception of holism principle study of lens, color, music, montage film elements, but not onfilm dynamic picture and classical art static picture of the relationship, so it is lack of deeptheoretical research. Zhang Yimou, Feng Xiaogang and other directors of the five generation,although can use modeling montage narrative, but they are just the theory of practice, and not onthe theory for in-depth summary. In this paper, the greatest significance lies in, through thepicture art form rule summary, to people’s aesthetic set a specimen. Namely static classic plasticarts and dynamic film and television art together in one study, from the two ’s extension forexploration in the form of the laws of the United States, both historical depth, and the transversecontrast, this can be said to be the one and only.
Keywords/Search Tags:Film and Television Art, Classic Art, Formal Beauty, Abstract Aesthetic
PDF Full Text Request
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