Above All The Rose

Zhai Yongming is generally considered to be the best Chinesecontemporary poetess. The poet completed her first major grouppoem,"Woman" in1984. The unique strangeness language style ofthe poetry and frightening female position shocked the literary world.After that，the poet has remained abundant vitality of writing andthinking，She have important works to come out of each period, it isno doubt that she has a very important position of Chinese poetry.Through out her creation, long poem and group poem is the poet’favorite form of expression. This reflects the poet’s unique aesthetic,smooth emotion, as well as the overall grasp of the three-dimensionalstructure of the rounded. There is not enough to pay attention to thelong poem group poem in general study of the poetry of ZhaiYongming. In this regard, there is a considerable space available toexplore. I start from the point of view of Zhai Yongming’s long poemand group poem. I will sum up the overall construction of the poetlong poem and group poem creation through the method of text reading: Senses to fully mobilizing, flexibility to taking advantage ofthe language, and innovative using of theatrical elements. In theprocess of the text reading, I do not have too much to stay in thedescription of “female consciousness” and “night consciousness”，I will pay more attention to the perspective on the same strain onother poetry instead of the poet’s two creative staging. Fromanother sense, each long poem and group poem of the poet, is anintegral element of the entire creative career. They are seamless, likea long poem. The aesthetic significance is running through the poet’screation all the time. Against to this integrity, this article, I will try toexplore the aesthetic essence of poetry deeply by combing ZhaiYongming’s long poem group poem the creative context, then explorethe relationship between poetry and social historical in the contextof age.