Chinese Classical Aesthetics The Way Of Ecological Wisdom

Along with the research of ecological aesthetics that Chinese classical aestheticscontinuous the deepening and expanding ecological wisdom have been recognized by Chineseand Western scholars, And have been do lot of thesis, however also have mang deficiencies inthe study at present.So need to more study and improvement.This research is based on the contemporary ecological aesthetics theory and linguisticstheory, in the analysis of Chinese and Western aesthetics different basis, combined with theunique aesthetic features of Chinese classical aesthetics, from intuition, fuzzy polysemy, vividimage, all blend into one harmonious whole. Four aspects, revealing the Chinese classicalaesthetics in speech mode contains the ecological wisdom.Chinese classical aesthetics is rooted in traditional pictographic thinking, aesthetic worldin speech not pursuing concepts integrity, discipline system of logic, but the language outsideof the world of life. Formation of Chinese classical aesthetics intuition way of speaking, thisway can be more to the aesthetic essence of aesthetics, aesthetic world show of fear, love andrespect. At the same time, contains the classical aesthetic construction of green, healthymentality, personality harmonious ideal, reflected "the unity of heaven and man" ecologicalwisdom。On the aesthetic judgment of the world of life, consciousness to walk into nature, awayfrom the world of nature observation and analysis, with the kind of language speech" lively"free world, vivid way is Chinese classical beauty scholars or artists, the face of the naturaluniverse infinite vitality and vigor when emotion outside. This way is not only the natural lifeindependent of recognition and respect, but also the natural life and enjoy. Contains theclassical aesthetics" all in one" ecological sensibility, and integrate into the natural ecologicalsurvival, embodies the harmonious ecological wisdom.Chinese classical aesthetic speech aesthetic world, not limited to a certain point or area,but from the" days"," land"," person" the relation between, in "affection","King"," sex"consistent fusion in aesthetic ideal, this form of Chinese classical aesthetics fuzzy polysemythe way of expression, the way of expression, embodies the Chinese classical aesthetics andconstruction of ecological aesthetics, ecological literary as well as ecology ethic aesthetic orientation, embodies the author, art and literature and nature between overall harmoniousecological wisdom.Chinese classical aesthetics contians the art and person, society, nature and the perfectcombination of man and nature, to break the binary opposition between the two boundaries,from person and nature coexist, perception of man and nature, the relationship between art,through the art of harmonious construction of themselves, man and nature, man and society,between people and art harmonious, embodies the Chinese classical aesthetics pursuit ofintegral ecological harmonious wisdom form.In this thesis, based on the contemporary ecological aesthetics theory, combined with thenew turn of discourse perspective, with an open attitude to the analysis of Chinese classicalaesthetics in the way the ecological wisdom, from the above four aspects. At the same time,with attention to classical aesthetics the way the unity and integrity of the analysis of itsecological wisdom, in a bid to keep the unique features of language, not only to Chineseclassical aesthetics the way ecological wisdom and contemporary interpretation of classicalaesthetics, but also the way of a kind of respect.