Prairie Song Multiple Cultural Characteristics And Communication Of Prairie Song

The article around twentieth Century40-50time to produce and develop rapidly Prairie songs as the study object, around its multiple cultural attribute and change and communication and other basic proposition of using music sociology, music and social interaction theory, and before the reform and opening up for time domain key, through the study of history observation, on Prairie song production and the development as well as the social and cultural background, characteristics and reasons behind the changes and driving force for system. According to the case analysis, comparison and thinking of prairie songs creation, text analysis, and with the Mongolia traditional music and the Chinese Manhandiao comparison between, combing the mutual cultural relationship and attribute of the similarities and differences, and expounds the development process of prairie songs presented in the multiple cultural characteristics. Prairie song, is the Mongolian society from the traditional society to the modern socialism in the process of social transformation, accompanied by the Inner Mongolia professional stage art with the formation of the new song, and with the Chinese social and cultural background of the changes, the prairie songs from the stage of professional music gradually to the popular development, finally, as China’s market economy and the formation of the development of mass culture, and with the aid of broadcast, TV, DVD, networks and other modern media, to the development of common, popular, the propagation space also beyond the nation and the region, to the public as the main audience, covering urban and rural areas has become a popular culture forms. Contemporary prairie song of traditional and modern, domestic and foreign, Mongolian and chinese, professional and folk elements together, showing a distinctive cultural characteristics.