This paper is trying to analyze the singing technique of Chinese art songs for history and mythology, so as to study various features of national vocal composition for different style and different theme, and enrich the singing technique theory of national vocal music. This text will discuss the development of the song composition for history and mythology of all ages, in order to inference a general rule from its commonness and characteristics; analyze the singing technology and form of performance, state with examples, hoping can provide some available information (understanding of composition, concept of composer, culture background etc.) to learners and teachers who devoted on national vocal music, and trying to go on academic research about Chinese art songs for history and mythology with theoretical state and singing technique. |