A Study On The Creation Of Traditional Zhudi Music In The Transforming Period

For a long time, scattering in many different genres of folk art, Zhudi music was developed and inherited in the way of oral teaching that inspires true understanding. Since the new China was founded in the mid-20th century, the flute music art began to transform from folk music to professional music because of many factors such as new literary policy, the establishment of national instrumental music performance as a major, fork artists entering into professional office and so on. Based on the above-mentioned historical facts and current situation, this thesis makes a detailed study on some typical flute music works in the period of transformation. From the perspective of the features and development of adaptation, sorting and creation, this thesis makes a theoretical summary at the theoretical level, aiming to provide some reference and trigger some thinking to the discussion of the inheritance and innovation of Chinese folk instrumental music.The discussion of this thesis centers on the study on some typical flute music works. The first chapter makes a brief review and induction of development history of the20th century Chinese flute music, and describes the historical background of the transformation of the20th century national instrumental music art. In the second and the third chapter, starting with the analysis of the music forms of some flute music works created after the founding of the new China, this thesis attempts to summarize the statement logic and common features of these works, so as to explore the typical significance of flute music art in a specific historical stage of Chinese musical culture and in the transforming period of national instrumental music.