Shang Deyi Choral Works Of Art Characteristics

This paper selects the Shang Deyi16choral works as a research object, take the Ma Geshun "New choral " and the Liu Zhengwei "Conservatory Chinese folk music morphological", Fang Zhinuo "song analysis and writing" theory as the basis, from the songword accompaniment of three aspects of analysis of the characteristics of their works of art, namely the characteristics of the second chapter of the Shang Deyi choral works in the body of compositional techniques in art, nonsense syllables in the third chapter of Shang Deyi choral works of art features and the fourth chapter of the Shang Deyi choral works of art of the piano accompaniment features. Chose this subject stems from my love of this choral works of the desert night, followed by lack of Shang Deyi all choral works of research results because of the current. Singing from the West, China is a newborn, to the development of China’s choral career, not only to create works of Chinese national characteristics, and more innovation out of the chorus of the national composer technology. This need to study the work techniques of Western and Chinese ethnic folk music, and can both fusion, both to highlight the characteristics of Chinese folk music yet the charm of the chorus itself.Composition techniques on the analysis of the author from these four aspects of the main theme of the writing style, writing style of polyphony, the musical structure of the work, the application of the national folk music material as a starting point to conduct more systematic comprehensive study of the art features. The co-ordination between the various voices, using composition techniques as well as a combination of Chinese music is the key to my research, but little alone segment melody of the tune tonal harmony, I overlooked part of deeply sorry. The first main theme of the writing style, according to Ma Gershon Choral learn the new "summed up the three Mixed Voice Choir type of writing style, as well as the type of part and as the function (see this article in Schedule1, Schedule2), its interpretation of the concept of writing techniques and the use of the most typical scores are described. The second aspect of the polyphonic writing style, is divided into the type of cavity liner or branched sound imitative harmony type of three polyphonic writing style, and11solution illustrates. The musical structure of the third aspect of the work (see Table2), and single-Rings-style complex trilogy of style, single, lives and complex trilogy type a brief description. Fourth aspects of national folk should the application of the material, mainly choral works, the more the ethnic characteristics of rhythm, melody correlation analysis. Specific from the use of typical rhythmic pattern, the use of folk music melodies, elaborate Folk Instrumental imitation of these three areas.Nonsense syllables were described from three aspects of the concept of nonsense syllables, function and location of the song. Including the lining of the word itself has meaning and the functions in the song, with ethnic characteristics, the use of nonsense syllables, nonsense syllables in the song the first song in the song Last position.The piano accompaniment is described from two aspects of the writing characteristics of the prelude to the type and accompaniment texture. Prelude type, according to Wang Qiufang, Gu Jusheng choral piano accompaniment prelude to the statement of the classification and the role mentioned in the prelude to the type derivative prelude to the juxtaposition of a prelude to figurations of a prelude to a prelude to four kinds of Shang Deyi all prelude to the choral works can be seen in Table4. Writing features about the accompaniment texture, from the use of broken chords and Yi Yin and column combination of chords two aspects.Finally all settled in the conclusion of the above analysis, a brief summary and summary writing style and personal creative style. Problems encountered in the analysis are fortunate to have Shang Deyi I teach, I benefited from making more authenticity and reliability of analysis of the work. To fully tap the characteristics and value of all choral works of art, on the basis of previous, more systematically from the aesthetic value of the test and analysis.