A Research On The Aesthetic Haracteristics Of Contemporary Chinese Female Art

In this paper, with the aid of Chinese Contemporary Female Arts Development as the background, in its aesthetic characteristics in the study of new ideas, focus and feminism art and female consciousness theory has been covered artistic problems, try to generalize Chinese contemporary feminist art and the aesthetic characteristics of the point of research achievements. In addition, the another clue focuses on female art own theory, aesthetic innovation orientation of art, works of art development and creation method, feminist criticism theory as the main body, and at the same time and Feminist Trend of thought in art and culture studies and other research methods, analysis of Chinese contemporary female art creation of female expression of women, how to build a respect for women, with female self and will contribute to the gender equality and the art of dialogue language, thereby eliminating male art language of female alienation, look for the return of a female subject necessary way.Research is highlighted by the female art background of the development of Chinese contemporary art" history", and to highlight relates to aesthetic features and aesthetic innovation breakthrough point of evolution "theory"," history" to" on", text, thought, aesthetic, work to com., female art brings new perspectives, new subject and new tricks, as clearly as possible draw the outline of Chinese contemporary female arts development basic appearance.This thesis includes abstract, text, conclusion three parts, of which the six chapters. Abstract part of Chinese Contemporary Female Arts Development in the period of social transformation is a must pay close attention to, systematic research on this topic, the female art is to break the traditional consciousness of female art standard, but also created a plurality of contemporary art. In Chapter1clarifies the feminist art theory explanation:" women artists from their female gender, from the sex experience, from deep and gender related inner resources caused by the art." Elaborated " female art" of the concept put forward in China in the west, produced tremendous effect, however in the history of China’s female has been motivated by" absent" status, along with the world tide" the emancipation of women and the fusion of Chinese and Western" change make large number of female artists born. Backtracking began in nineteenth Century to the Chinese women’s liberation movement of hundred years history, is certainly grasp the present Chinese female art development the fastest, most effective way, therefore, the second chapter of this thesis is on the Chinese contemporary feminist art to develop the historical background Retrospect and analysis, by Simon de Beauvoir’s" female form" theory, west of "body writing" language, Lucy ely Grenada" as a two" feminist theory is explained, and the reasons of the decline of female art were elaborated, including internal and external, external factors specific to art and female subordination of the historical reason, social and artistic environment, culture rejection and other factors; internal cause is mainly women lack of self-awareness, theoretical system and the lack of theme limitations. At the same time, the Chinese contemporary female arts development process is regarded as a mirror to comb. Thus, we can clearly see the Chinese contemporary female art" sequence of events", to put the process by Shakespeare" holding mirror to reflect nature" thought in the history of development of Chinese female art in three forms:one is the mirror surface outward reaction of the art world, when the female art cover women on their own characteristics and potential play, creation is only in an era of style shows a kind of" no sex" characteristic or a tendency, in the creation of both the content or form with a male artist is no different, women artists in the" gender gap" is not found in the value of their own. The second kind is mirror in response to self art, along with the political rights and social status, female art gradually reveals an independent aesthetic character and spiritual direction. Specifically expressed in the female works of art from the traditional handicraft is converted into the new feminine discourse. There is a mirror to abandon stage art, performance in contemporary female art. Before two kinds of art are reproduced art, is on the concept of expression, only the last is a presentation of art, can not be copied, disposable, direct, three-dimensional show Chinese female art feature and future trend. The third chapter made clear to the Chinese contemporary female art "aesthetic characteristics" for the purpose of the study, better tips we focus on Chinese Contemporary Female Arts essence, and the new century Chinese female art development has enlightening significance. The fourth chapter focuses on Chinese Contemporary Female Arts Research of problem that face and think. The fifth chapter focuses on Chinese Contemporary Female Arts Research of problem that face and think. The sixth chapter conclusion, statement.In the conclusion part, summarizes the full text, modern China is undergoing rapid social transformation period, the shunt of economic system, political system and the transition of cultural and artistic value of reconstruction to the current social structure change. As a measure of Chinese contemporary art development one of the important indexes of female art, its unique thinking, speaking subject, the aesthetic subject and the subject of experience of art forms, with the rise of the age of unprecedented prosperity and development. When we try to search for self confirmation self, in the art of the time, we naturally return to the" female art" such a specific perspective, through analyzing the aesthetic characteristics, and finally the consciousness of female art influence on us, even in quite a stage determines their artistic orientation.