Grassland Prancing Passion Music

Inner Mongolia autonomous region, is the Mongolian as the main body, han, Mongol, hui, north Korea, daur, owenk and olunchun multinational mixed first ethnic regional autonomy. Since its establishment in1947, which has passed through65years of wind and rain journey, Inner Mongolia literature, accompanied with economic development, presents the development of transcendence, and become an important part of the contemporary literature in China. Its grassland amorous feelings and the spirit of grassland showed the unique historical style in Inner Mongolia.This paper will treat "17years" literature of Chinese political lyric poetry as the research object. An exploration with the similarities and differences between the mainstream poets and the Inner Mongolia political lyric poetry is done in aspects of regionality and nationality. Under the background of sing the praises of the socialist new life in the whole country, the grassland unique sound, which is discussed in two aspects as form and content of the poetry, and vertically combed through overall development of the Inner Mongolia poetry is explored in this article. Based on this, the development situation of "17years" literature in Inner Mongolia Chinese political lyric poetry is combed, and the unique character of grasslands poetry is summarized in the comparison. Under the limitation of the epoch of poetry, the deficiencies are searched. We Hope to find a more comprehensive, in-depth exploration of "17years" poetry in the Inner Mongolia autonomous region Chinese political lyric poem, and determine their position in Chinese political lyric poetry and the development of contemporary poetry.This article mainly from the following three components:the first chapter starts from the whole "17years" Chinese political lyric poetry in Inner Mongolia autonomous region, clears the concept of political lyric poetry and development of the mainstream political lyric poetry, and then the whole situation of Inner Mongolia poetry development is vertically combed. After that the development of Chinese political lyric poetry in Inner Mongolia autonomous region is explored. The poet and representative works are summarized, and the grain of its development is researched. In the second chapter, a comparison between mainstream Chinese political lyrics poetry and Inner Mongolia creation of poetry is performed. The content is discussed through two aspects of the poetic theory and poetry, and the skills in poetry and its contents are summarized for their unique character. This is the focus of this chapter and also the main research results of this paper. In the third chapter, the limitations of poetry is analyzed. In whole poetry creation influenced by policy and national literature system, the problems and the roots are explored. The special situation is found in the whole background, and the overall association is searched in particularity. We Strive to further explore the inherent law, and make the theoretical contribution for the Inner Mongolia contemporary poetry development. At the same time, the characteristics of Chinese political lyric poetry in national minority areas is explored from a new angle as regionality, nationality.