On The Techniques Of Watercolor Painting Language Of Inner Mongolia Regional Integration

In the modern art trend in the regional characteristics and can be highly recognized, either region, or worldCircle, painting works not living replica, however, Inner Mongolia Watercolor Painters, based on regional advantages, will be the most honest, simple, calm, confident, sad, tragic indifference alone, deep and rich humanistic spirit interweave together, make the traditional painting form and modern idea of creativity between explored the best the focus of the natural expression of picture in picture.Talking about the geographical features, first of all to relate to the subject problem. In the free and unrestrained in the grasslands of Inner Mongolia regional painting subjects is very broad. Inner Mongolia regional painting subjects should be the starting point is"......There are different from the culture of the Central Plains, is different from the Chinese culture, is a primary means of impact and appeal. The ethnic and religion is a harmony idea. The nature worship, worship, worship the gods’heaven’, so, even the stones and animal. Here all things seem to have the divine, are infected with the human mental factors."1followed by spiritual connotation, painter to clear his painting purpose, and through the works to express the great spiritual power. With the concept of upgrading, morphological alterations, subject matter, style variety, material, technique development, after the young artists in different social environment and living environment, in different national or regional different history and culture, cultural life, natural conditions, the picture display of emotion and art or art language and aesthetic ideas and so on also began to gradually improve.nner Mongolia painting development should be in80time, the first is the theme of the painting has changed. In the free environment and creative atmosphere, Inner Mongolia artists to show self innovation thought. However, due to the art of the house through the gap, the social atmosphere and living environment is also different, creating spirit also somewhat difference. Some artists in its theme changed, some artists in techniques to seek a breakthrough, but also some works that a subtle change......In particular, in this time of nearly twenty years, can see the Inner Mongolia Watercolor Painters strain every nerve to the Inner Mongolia watercolor painting the new atmosphere and strive for spectacles. Watercolor is particularly popular artistic skills and techniques of painting material constraints. However, the Inner Mongolia Watercolor Painters also in advance with the times to explore their artistic expression and style in the new breakthrough on. In" the Eleventh National Exhibition of watercolors, gouache painting exhibition" can be seen in the Inner Mongolia watercolor painting after the transition to new look and new power. The Inner Mongolia watercolor painting after the transition to new look and new power.To sum up, the first chapter describes the status quo of Inner Mongolia watercolor painting, mainly when it comes to nearly twenty years in the Inner Mongolia watercolor field active painter and his works. The second chapter focuses on the Inner Mongolia watercolor painting as regional characteristics. Different ethnic or regional different history and culture, cultural life, natural condition, causes the Inner Mongolia watercolor painting in theme, artistic language and aesthetic ideas and so on further improving. The third chapter is about the Inner Mongolia watercolor painting prospect.