Chinese Oil Painting Performance Research

This thesis is about the image through the concept and history of unfolding study on intention, aesthetic value, performance characteristics, modeling analysis, review twentieth Century beginning in the early Chinese modern painting in the image expression changes development process; narration and argumentation about Chinese image oil painting performance expansion trend.The imagery of this word in Chinese classical aesthetics to find its origin. As an aesthetic concept, image development and painting image performance artist subjective consciousness on reflecting the objective world and the fusion results." Meaning" and" like" binding refers to the artists on images from perceptual knowledge to rational understanding, and custom, sublimation process. Realization of" meaning" and" elephant" is the essence of understanding and subjective evaluation of fusion, forming the subjective and the objective of the perfect combination.After the reform and opening up more than20years, Chinese painting art and world market conform quickly and ushered in the continued active-development. In the world of economic globalization and information sharing and the cultural diversity developing background, Chinese scholars and artists on the development of Chinese oil painting nationalization and localization of continuing research and to the theoretically obtained achievements and efforts. Under this background, beginning with the study on the image oil painting, and on the image oil painting each angle understanding also mentioned. In order to fully understand the inner meaning of the image, in this paper the introduction part was carried out on the image’s basic cultural characteristics of narrative; in the second chapter, from the Dongyang philosophical and aesthetic point of view, the Chinese origin image inspection and image aesthetics value were studied; in the third chapter, on the image expression characteristics and analysis of the shape and in the art of painting the image performance intrinsic essence of understanding; in the fourth chapter, the Chinese image oil painting phenomenon in the background and in different eras of representative writers and their works were analyzed. And, as China explores the main tendencies in the realist painting image conversion and basis of China Jiangnan unique human spirit paintings of images, and then, from the natural starting off as an expression of image expansion, image of painting in the performance characteristics and contact, a comprehensive narrative.