The Study On Bao Zhao’s Scenic Poem

The Six Dynasties period of Bao Zhao, in the underling and frustrated, but in literature hasmade extraordinary achievements. Since twentieth Century Bao Zhao poems in the course of thestudy, scholars for Bao Zhao’s attention is limited in the Yuefu poem, the poem of landscapestudies is very limited. In fact, in the development of poems of mountains and waters rivers, BaoZhao is an important poet after Xie Lingyun, setting up bridge between Xie Lingyun and Xie Tiao,giving some impact on writing poem about water and mountain, even the landscape poetry of theTang Dynasty and the development of the guidelines.This paper consists of introduction, text and conclusion of three parts. The introduction partbriefly summarizes the research status of Bao Zhao’s poems, especially the poems of landscaperesearch, think of Bao Zhao ’s landscape poetry study has thorough research and the macroscopicperspective room; in view of the existing research in Bao Zhao’s landscape poems number unclearstatus, briefly discusses the landscape poetry and landscape poems of the definition of referencestandards, determine the a total of fifty Song landscape poetry of Bao Zhao, explained the basictrain of thought. The text is divided into four chapters.The first chapter" in Bao Zhao’s landscape poetry thought connotation", from the ideologicalcontent of Bao Zhao’s landscape poems are classified, around the Shi You board, supervision,travel service alone feeling, parting by four respects spread out discuss, think its Shi You on thepoem to" Mount Lu" and other poems as typical, unusual shock, is the poet talent and passionateembodiment; Headstall travel service poems bearing the poet’s sad and dreary gloomy grief, moreinterested in poetry; alone mood is relatively rich, have lamented that also contain hope; partingconversation poems combining emotion with scenery, is the poet farewell elegy; combined withBao Zhao about his life experience, analysis of Bao Zhao as a poor and helpless grief, expoundsBao Zhao s landscape poetry and wandering in the hope disappointment psychologicalassociation.The second chapter" in Bao Zhao’s landscape poetry artistic achievement", focusing on thelandscape poetry of Bao Zhao fantastic characteristics, from the poem of landscape images,composition, color matching, language style and other aspects of the detailed analysis, think BaoZhao’s landscape poems rich images, after the poet selective applications, much angle expressionof the poet mood; in the composition angle poets multi-angle comprehensive contemplation ofnatural landscape, showing the landscape level sense; in the landscape on the hue, poet to the innerdesolation sad dyed that another landscape color; in language use, Bao Zhao pays attention tosentences, not words such as hedge, reiterative locution assonance, at the same time there is no lack of use of placement antithesis gimmick sentence, was able to properly convey emotion,showing Bao Zhao’s landscape poems become an independent school of art.The third chapter" Bao Zhao and Xie Lingyun scenic poem comparison", try to from ahistorical perspective, analysis of Bao Zhao and Xie, Xie Landscape Poetry Creation Association,in order to correctly recognize the status and role of Bao Zhao ’s landscape poems. Detailedanalysis of the landscape poetry of Bao Zhao on Xie Lingyun’s experience learning and innovation,think Bao Zhao scenic poem Yibu for King scenic view deep, magnificent landscape artisticconception, landscape of the mystery of Xie Lingyun thought on the creation experience oflearning and simulation, and the landscape poetry and writing style of great momentum is good,and the pen with the mystery the structure composition, gradually without optional landscapepoetry and vivid scene relation, gloomy and sad and strong powerful diction diction is abreakthrough in the Xie Lingyun model innovation. According to Xie Tiao and Bao Zhao’slandscape poetry comparison analysis, identified two human landscape poetry in the theme, withangle, scene relation has the common points, while Xie Tiao’s landscape poetry in the subjectmatter content, artistic, poetic style, in Bao Zhao’s landscape poems and on the basis ofdevelopment.The fourth chapter" in Bao Zhao’s landscape poetry impact", focusing on Bao Zhao’slandscape poems of the poets Jiang Yan, Wu Jun and Li Bai, with Du Fu as the representative ofthe Tang Dynasty poet group landscape creation influence. Jiang Yan scenic poem simulation BaoShi wide, whether poetry, image, idea, the theme statement external features, or location planning,insurance narrow style intrinsic charm, or to melancholy mainly poetry emotion, will and BaoZhao’s landscape poems has many similar. Bao Zhao with his experience similar to that of Wu Jun,in the scenery poem ’s writing themes more financial time, location, angle diversity, with a darkhollow words fantastic Qiaoba, more consistent with Bao Shi. Also there is no lack of TangDynasty poet Bao Zhao landscape poem, Lee, Du Jieru, Wang Wei, Meng Haoran and more, whilethey were in Bao Shi’s conception of language form, structure, expression skills and other aspectsfor reference, Bao Zhao embodies the landscape poetry of Tang Dynasty poet group givenenlightenment.In the conclusion part, an overview of Bao Zhao’s landscape poetry characteristic, pointed outits status in the history of literature and the value, expounds the viewpoint and conclusion.