Study On Female Images In The Li Weng Ten Songs

“Li Weng ten songs” is to have multiple identities of Li Yu’s drama works, whichincludes a large number of Li Yu on the social reality and the life of individuals fromdifferent sentiment, also reflects Li Yu’s female values.In the late Ming and early Qing special social situation, Li Yu’s female charactersshine. This paper will be based on the type of female image is divided into aristocraticwomen, civilian women and prostitutes’ three, and adopts the case study and groupstudy of combined modality, one by one for the type of analysis.The group of aristocratic female has always been a feudal shackles the deepstratum, whether great lady or your wife, their life is inseparable from the Kaifengfamily in this area. Great lady who attempted to seek love and marriage to the liberationof their own, not knowing they entered another abyss; although as feudal families infeudal society but because your wife" polygynous " system to their families in differentstatus, show" is the wife or mistress" and" my aunt two chamber" female groups.Relatively speaking, the civilian female according to social status differences to showdifferent features of women, and the prostitutes’ image has long been favored by malewriters, is molded into the ideal type of woman, in varying degrees to the writer’ssubjective ideology. In Li Yu ’s works, not only focus on shaping the perfect them, butalso to be fallen be irreverent satire. To make a long story short," Ten Songs" show inlate Ming and early Qing Dynasty social emancipation thoughts under the influence ofLi Yu thought the progress and creation intention.