The Image Inquiry And Ballads Analysis Of Gilda In Verdi’s Opera "Rigoletto"

Giuseppe Verdi(1813-1901) is the great opera composer in the19th century’s Italyand the western opera history. He created26operas in his whole life. He made animportant development based on keeping in the essence of Italian opera, and made theart form of opera more dramatic and lyricism. The most of the works that he created isknown well.The opera “Rigoletto” is the landmark work in his creation peak period, given thecharacters of real human nature and profound thought. Actress Gilda has the typicalcharacter in his success creation, has the rich and lively music image. Her two ariashave depicted the figure’s essence in meticulous detail. This article through themethod of theoretical analysis, music score research and literature reviewingarrangement, to analysis the characters’ relations, personalities and Gilda’s two ariaesand create this music image.In order to grasp the performance of voice and thecharacter of the charm. This for our own music quality improvement, the use ofsinging voice and the art appreciation of the ability has the vital significance.This paper is divided into three parts: The first part is introduction, it briefly discussesthe present situation of the study, clarifies the focus of this paper. The second partintroduces Verdi’s opera situation and explore how to build the drama and musicimage of Gilda. The third part analyzes the two arias of Gilda. Mainly through theanalysis for Gilda’s two arias of “Caro nome” and “Tutte le feste al tempio mentrepregava Iddio”, respectively from the plot, the music, the voice, the emotion to shapeGilda’s role.