| Feminine and masculine aesthetics is a very important pairs of aesthetic categoryin Chinese classical aesthetics. Chinese classical aesthetics advocated parallel ofFeminine and masculine aesthetics, and indispensable rigid-flexible at the same time.But in fact, Chinese main aesthetic tendency from pre-Qin period to the present goessuch a way that a masculine aesthetic is replaced gradually by feminine aesthetic, or itis a psychological state of paying more attention to Feminine aesthetics but payingless attention to masculine aesthetics. Although Masculine aesthetic is the mainaesthetic pursuit of our nation when we are so dangerous to survive at the vitalperiod，just like the lionhearted in “such as drum million warriors battle”. However, itwill enter the placid and light soft aesthetic ideal soon. This paper starts from thecontemporary Chinese Meticulous figure painting, and based on the masterpieces offamous contemporary meticulous figure composer and the selected or awardedmeticulous figure painting in the national exhibition in recent years. The authorintends to sort out some characteristics of feminine beauty of figures in thecontemporary figure painting creations by study of expression, dynamic which somefigures displayed in many works, and while by study of feminine characteristics,analysis of language in some works and the phenomenon of feminine male image toshow some characteristics of feminine beauty. By discussing orientation of mainaesthetic subject and object of the feminine discourse in the contemporary ChineseMeticulous figure painting, the author tries to find the feminine beauty of deepcultural roots and realistic factors that is why contemporary Chinese Meticulousfigure paintings are easily inclined to feminine aesthetics in the feminine tendency ofChinese traditional cultural characteristic, the Chinese traditional aesthetics thoughtand language itself of the painting style. |
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