Study On Application Of Middle Line Of Realistic Oil Paintings

Painting line as one of the basic elements in the painting is the role ofself-evident, both Western oil paintings and Chinese painting online processing arevery distinctive, showing clear attitude, different style. The application of line inpainting creation rule is the most direct and effective modeling means, everysuccessful artists in the creation of the use of lines have their respective characteristics,the emphasis is on line with focused, also brought the rich and colorful picture of style.Every successful painter for line handling is have great originality, and even somepainter’s work style in a sense is to rely on the unique line of. As an oil painting artistswe should all be on line application rules have some level of awareness,understanding, so for the line to be attached, and should be further studied, andcomprehensive understanding of modelling the root of the problem is of great valueand practical significance. Through learning advanced modeling rule to enrich ourcreation, can in the face of nature, the more the initiative to control the screen, toachieve the ideal effect.Line in the oil painting work in form, I think to basically can be divided into twocategories: one is the dominant line, another is the hidden line. But in realistic oilpainting in dominant lines mainly in the early Renaissance painter represented. LikeBotticelli, his works of line features are visible, or even deliberately let lines exposed,he shapes with lines, with Line Lyric, enhance the sense of the picture plane,decorative; Francesco works like Botticelli’s line was not so obvious, but he works inthe line is similarly dominant, recognizable. The Renaissance began, due toperspective, geometry, optical science and new developments in the field, beginningpainters pursued more footage of the real line, in the works form in a hidden wayappeared in the picture, its effects have also been other painting factors and thestrengthening of the mask, and later Caravaggio, Rembrandt paintings in the line arehidden in the strong light, and more difficult to discern. Therefore after theRenaissance of the realistic oil painting history, line is with a recessive form appearsin front of the audience, only a few painters pay more attention to the line, and other painters difference.The Botticelli model is accurate and vivid, the accuracy is not visually accuratescientific significance, but based on sensory, psychological basis. In order to balancethe contradiction between the two, you can see the painter and sometimes even tosacrifice the first to meet the greatest degree of the latter. For example," the birth ofVenus" a painting of Venus’s neck and head and connected to two arms and shoulderportrait. Botticelli’s background is likewise such, sometimes he even left the audiencea sense of" rough". For example, the tree trunks, particularly high light like knifeengraved; another example for the treatment of water, have a dominant line in effect,gives the impression of not naturalistic realism.For the use of lines, although La Tour as Botticelli, but has its one’s own knack inthe. Due to the preference for light, the implicit line mainly in color between the edgeline, surface and surface junction structure line. Line and colour in some sense is inconflict with each other, so to strengthen the party must weaken the other party,distinguished from Francesca and Botticelli is La Tour’s edge line in some parts of theprocessing on the real features, such as carving general affirmation, allow all doubt,each with a small turns are very accurate fulfil form.Based on the study of traditional realistic painting, I found in traditional paintingcolor and level changes, the characteristics and painting color performance iscompletely different, the former reflects the color of the sense of space, with thewestern painting the pursuit of light, perspective, space and other real intention isconsistent, while the latter was in the waning of space at the same time the degree toenhance color contrast between relations, the edge line of action also more effectivelyreflected out, and the role of prominent line, it can achieve the "meaning" of thepursuit. So the line as the painting is an essential element of attention will bringpicture abstractness of expression, the above mentioned Botticelli, but whenstrengthening the manifestation of the lines at the same time we must to weaken thelight on the shape, color effect weakening sense of space and factors as cost, Liurenjie is to follow the above principles and develop, in strengthening the line at thesame time and enhance the color impact (i.e. reduced color space). When does not let the light, the sense of space too much to attract the eye, we seeManet is to draw attention to the color of the conflict, the initiative to convert thevisual center it for later generations can be said to be profound, of course not only thatthe other is in the works of Manet color sense and his writing is also very valuable the.In the latter, we see Liu xiaodong basic belong to this group, but Liu xiaodong inwriting it inherited from Manet, and extend, and in a first aspect, we can see, Liurenjie take is the method, and more active (of course, we do not consider the is itright? From the Manet effect), he even the conflicts of color into the geometric shape,thus the use of block size and shape, color conflict active construction works.