From The Opera "Wildrness" Explore Jin Xiangv’s "Operatic Thinking"

The opera in "field works in the1980s.As soon as it was published and widelypraised,the reason lies in the fields of different than in the history of chinese opera creationmode.In the fields of creation, the composer has been in accordance with the "golden hunanopera thinking that the fields was great success,By the critics considered to be serious QihongJu chinese opera of the best one, is also "opera think the most complete expression of anopera,Xiang Kin that "the thinking with the opera in" field. the creation.The opera thinking"is a creative thinking JinXiang summed up in the life of opera study,Since the eighties of lastcentury he has been advocating this opera concept, through numerous practice-summary-and practice-and then sum up, and finally to explore out of a more systematic and holisticconcept of opera,Hope to exhaust a lifetime of effort, trying to Chinese opera career ladderefforts.Opera thinking simply a form of thinking during the opera creation, is the creator ofthe opera has been the intent, including the story with emotional thoughts through this operacarrier laws of art createdprocess.This article is to study JinXiang opera thinking ", andthrough the analysis of the opera" wilderness "to explore of Jinxiang opera thinking" of theessence and characteristics, so that the reader a clear understanding of what is opera thinking"and how to apply to the opera.Finally trying to solve some of the problems currently facingChina Opera, opera view of the opera thinking and future opera road some inspiration.This article first introduced the "wilderness," the composer Jin Xiang, the creative teamscreenwriter Fang, director Inagawa, creative background and story content outline, thenexplain Jin Xiang opera thinking, including the definition of "opera thinking",thebackground(Course of the development of Chinese opera has a profound understanding of theoverall realized that for a long time thinking of Chinese literary and artistic creationdevelopment and the creation mode of Chinese opera long-rigid thinking),substance (operathinking "is essentially a practical proposition, is a kind of dialectical thinking, respect, and toexplore the laws of art of the opera itself).Then the interpretation of the opera thinking,combined with the "Wild" leads to the characteristics of the opera thinking ", including operacreation of the overall awareness, sense of symphonic, dramatic awareness.Finally reflect ourcurrent opera a status quo, combined with the opera thinking "to solve some of the problemsof China’s current opera exist, and some inspiring views of the development of Chinese opera.