Chinese Movie Music Deconstruction In The Nineteen Thirties

In the1930s, Chinese movies experienced a vital turning stage from the silent-films tophono-films,the creators put unprecedented importance to the sound. Even today which audiovisual technology is considerably mature, we still should borrow some ideas from the probeof the movie sound especially the innovations of the movie music.As the first phono element applied into movies, the music has always been the focusabout how to integrate into movies and what kind of artistic mode can be employed. The wayof expression and the artistic attribute will be dramatically changed if the creators put thecombination into practice.This paper which is threaded with the development vein of the music creation from themovies in the1930s, Based on the background of film music in the1930s, manifested by theresearch and investigate performance of music and films,and supplemented by the full caseanalysis proves the useful experience of film music in the1930s from a blind draw to specialcreation and sums up the film music in the1930s made the movie sound art development agreat contribution and the significance of today’s film music.Excellent movie music in the1930s, made an example for the movie in the future interms of nationalization, the sense of contemporary and popularity, It draws on and absorbsthe essence of foreign music, combines the nutrition of folk music, and shows the spirit of thenation, Even today, a hundred years after the invention of the movies. we still need to blendthe music creation with the movie script to create the variety of music manifestations and theservice for the film arts.This paper consists of introduction, the four chapters in the main body and conclusion.The introduction gives elaboration in detail on relevant matters from the aim of thispaper, the research procedure and methods.The first chapter discusses the background of the innovation of china movie music in1930’s. The first quarter introduces that music is the earliest phono element applied intomovies; the second discusses the movements of music and movie; the third deals with thepurpose of the establishment of the movie music. The second chapter analyzes the creation form of china movie music in1930s.This willbe discussed in four parts according to the development of the combination between musicand movies, namely1) Music overboard2) Singing-the pioneer of china movie music3)From selection of music to creation of music4) The establishment of the authentic moviemusic.The third chapter expounds the artistic achievements of china movie music on therelation between sound and picture in1930s. The relation between sound and picture drawsmore attention and music is harmonious with other phono elements.The fourth chapter discusses the process of china movie music in1930s grows from ayoung period to a mature one, with the music creation in Angels on the Road This includesthe author’s consciousness on sound and the participation of music into the writings.The conclusion sums up the deconstruction of Chinese movie music in the1930s onnew height, discussing more on the important contribution and significance of the creation ofmovie music in1930s.