Mongolia’s Famous Singer Lasurong And Singing Art Research

This paper taking Mongolia nationality famous tenor singer, Mongolianational long-tune folk songs heritage Lasurong as the research object, the useof ethnomusicology fieldwork and case studymethods, combined with theaesthetics of music and music theory of correlation analysis method andrelevant theories on the cultural changes, the research object is placed in it forthe survival of the cultural background, take on the overall train of thought ofindividual, Mongolia’s famous tenor Lasurong art life as much as possibledetailed studies, and further placed it since the founding of specific socialandcultural context, through his half century Mongolia long-tune folk songinheritance, protection, development and specialization-system of stagecourse will make a comprehensive view. Based on the Lasurong growth, arthistory, long tune singing skills style formation and long melody folk heritage,protection, carry forward the practical action todiscuss, discussed Lasuronghalf a century long life and for Mongolia pastoral art contributions; andthrough the Lasurong this character case description, since the founding ofPRC Mongolia pastoral songs professional course for a view, and experiencesummary. This thesis thinks that, not only is Lasurong Mongolia famoussinger, but also afterthe founding of new period professional-stage type longtune art pioneers and successful practitioner. He combines traditional andmodern, national and Bel, long and short tone of multiple factors such assinging style, is the inheritance and development of the tradition, but also thetraditional improvement and innovation. This art form with hispersonalartistic talent and life time, learning experience, traditional, culturalenvironment. Can say, Lasurong Mongolia pastoral art in new period andtheir leader. Therefore the present paper through to the Lasurong and itsbearing on long tune style of the inquiry, and strive forthe Mongolia pastoralsongs inheritance and succession, rescue and protection, spread and carry forward the work of providing broader favorable visual.This paper is divided into five parts: the first chapter, mainlysummarized the singer Lasurong ’s long life and art career; the second chapter,mainly discusses the singer Lasurong on Mongolia long-tune folk art heritageand inheritance, and expounds the singer Lasurong on three Mongolialong-tune master the art of the study and three Department of Mongolialong-tune artist biographies of the launch; Chapter third, mainly on the singerLasurong sing long song craft skills and personal style formation; the fourthchapter, mainly describes the singer Lasurong for inheritance, protection,carry on Mongolia long-tune folk art action and contribution.