From The "Two" To "Three" Form The Edge Of The Painting

The first chapter by a brief description of the practical and theoretical value of thephysical edge painting, so that we know human civilization forward and humanisticdevelopment and progress at the same time, each period is different for the physicalunderstanding of the edge of the painting. We can as a clue to study, we studied thedevelopment of the past is to just understand the present and future. Although they are in thephysical edge of the painting, its development has always been around for clues to the spiritof humanism. The same time, we study itself can not do without science, art also has arational understanding and views of the edge like a painting in the form of every age, is notaccidental. It will be the development of science and continuous improvement of people’shuman spirit to change to meet the requirements of the people.Referred to in Chapter II of a three-dimensional vision, we have to study the paintingswhich form the edge is far from the edge of the simple pieces of simple single line. But thebody is the link between the external, on in order to reproduce the three-dimensional visual.Three-dimensional visual interpretation and a brief description of its principle, it is a way ofunderstanding. Understand the foundation of the physical edge of research and study paintingwhere.The third chapter, talking about the development of painting in Western art history, thephysical edge of three divisions. The first part is the art of painting of the Renaissance,humanism and the authenticity of the body mass of the space and how the painting from thetwo-dimensional way of thinking, the transition to3D. The important role of Michelangeloand Leonardo da Vinci and other Renaissance painters, for example, about the performance ofthe three-dimensional sense of space and depth, humanity for the painter the sense of distance,and body painting understanding of the turning point of the edge of significance. The secondpart is the art of painting of the Impressionist period, mainly to understand the space volumeof cross-cutting and sports. Cited the example of Cezanne and Monet, and they played asignificant role in the development of the form the edge of the painting, inherited the basis ofthe authenticity of the Renaissance masters, innovation and development, to open up for thelater contemporary art the road. The third part of the contemporary art of painting, firstmentioned in the contemporary "vision", what is our contemporary "vision", it in the past andthe past "visual" characteristics of the difference between, as well as contemporary visualimpact for the general public here at the same time also referred to the contemporary "vision"can be divided into empathy and pure visual two parts. And then to the new "touch" by the contemporary "visual" painting in the shape of the edge of the touch sense of "touch". Withthe development of pure visibility, tactile inevitably appear. The sense of touch here includesmany aspects and their relationship with the physical edge. The first point is a real sense oftouch, Lucian Freud, for example. Through his work and painting in the true sense of touchhas been the understanding of the specific image. Real sense of touch, is the sincerity of theartists for works of art and love, and to express things, the kind of respect for the humanityand individuality of care. Authenticity is derived from life, derives from it, so it is more realthan life. At the same time have a visual to the human touch. As the modern emphasis on thecultural and spiritual, cultural, than in the past have made great progress, so many peopledesire the kind of spiritual resonance, Kiefer Dumas artists by breaking the shape of theoriginal painting edge to the inner world of the viewer, in the psychological sense of touchsense of space. Work of art is not language, but the artists humanities give it vitality, so that itcan exchange with the audience. Finally, the popular people popular and public sense of touch,the name suggests is a popular picture of the sense of touch, simple and easy. The pace ofmodern life, and survival pressures are great, but outside of work, do not want to think toomuch, too heavy things, the more simple and easy as possible. To relieve the pressure whichusually work. After all, the Museum of Fine Arts is not every place has, and it can not satisfythe appetite of the public, but the "price" is relatively high and popular art&P to be accepted.But that does not mean that there is no artistry, the terminology of the art is not a small groupof people, it is to the public by a small minority, out of the public also no art at all, because itlost the humanities. The spirit of humanism is the basis of all art, even in the popular and thepublic nature of public art, Apple’s mobile phone and computer is the best example ofhumanity, simplicity of use is easy and simple. Embodies the human spirit, and in line withmodern people did not have to ask, respect for humanity, and the protection of personality.Painting the edge of the body is a clue, along with the development and progress, to improvethe requirements for visual past the aesthetic is enough to define today’s requirements.Significance of the painting off commence, it is not only limited to the traditional easelpainting, but has become the basis of other art and visual. Although this article is written fromthe "two" to "form the edge of the painting, to explore his development, but in fact is ahumanist concern, may I express are still unclear. However,"two" to "three""three" refers tothe authenticity, when it comes to authenticity, you can not leave the humanities. Humanitiesis easy, but really want to recognize it, respect it, is not an easy thing. Need we continue tostudy and explore.