The Research Of Chinese Movie Appreciatin Of Ugliness Since The Market Economy

In the human perceptual activities, both the aesthetic has appreciation of ugliness.But the aesthetic activity is more universal and social value. So since ancient times, fromthe west to the east, aesthetic activities are in the mainstream status in perceptualactivities. But the appreciation of ugliness is going through complicated and hardstruggle to enter the examination activities. With the aesthetic idea is more and moremature, the importance of appreciation of ugliness also gradually become visible. In themodern and post-modern context, the ugly infiltrated into the aesthetic activities and artactivities from various angles, and gradually expanded to the film area from literaryfield. Since the market economy, many Chinese films have continued to strengthen theappreciation of ugliness thought.Through to the related research of movie appreciation of ugliness, with the help ofcommunication science, aesthetics, aesthetics of reception and the narrative theory,thispaper is going to profoundly recognizing that the ugly performance in the film, thereasons of film appreciation of ugliness and the aesthetic implication of film appreciationof ugliness. Through the study of this topic, to make up for the weakness of the uglyugly, rich aesthetic significance, pioneering the field of film theory, injected fresh bloodin film theory and contemporary aesthetics theory. The analysis of the ugly performancein the film, the reasons of film appreciation of ugliness and the aesthetic implication offilm appreciation of ugliness, can help people establish correct aesthetic concept ofmovie, can born academic value for the film creation and criticism, which can expressbeauty freey and consciously in the movie creation and movie acceptance.The first chapter mainly elaborated the essential connotation of ugly and uglyperformance in Chinese movie since market economy. The first section describes therising of ugly in aesthetics the essential connotation of ugly. The second section mainly analyze the ugly performance in the film from the theme of the film, the film characters,movie scenes and film.The second chapter mainly analyze the reasons of movie appreciation of uglinessfrom the social foundation, movie creation main body, the audience’s aestheticacceptance. The first section is from the social basis of the hand, due to the uniquecharm of ugliness itself, postmodern context and cultural alienation effect, literatureappreciation of ugliness effect and other factors, make the ugly into the film field. Thesecond section is from the movie creation main body aspect, the value of market,thechange of aesthetic concepts and creative idea,are also the reasons of film appreciation ofugliness. The third section is from the audience perspective, film audience aestheticmode, aesthetic trend of diversification and the audience’s psychological adventure arealso the factors of the film appreciation of ugliness.The third chapter examines the faesthetic implication of the film appreciation ofugliness.The first section describes the aesthetic value of film appreciation ofugliness,specific performance in: movie appreciation of ugliness overcomes the beautylimitations, extends the film aesthetic category, enriches the film aesthetic emotion,refreshes traditional film aesthetic concepts, revolutionizes the narrative structure. Thesecond section mainly proposed the misunderstanding of the film appreciation ofugliness,from the vulgar of the film appreciation of ugliness, the lack of humane care,the excessive appreciation of ugliness. The third section analyzes that if you want toexpress the aesthetic value of the film appreciation of ugliness fully,and avoid themisunderstanding of the film appreciation of ugliness, it should be turn the ugly in thereality life into the beauty of art.