The Development And Dilemma Of Spy TV Plays In Wew Century Of China

Started with the Pledge Silent in2002, the creation of spy TV play graduallyflourished in new century of China. Then the Plot startled ratings waves and became thereal origin of spy TV play’s vigorously development. Hit TV play Lurk became a peak ofthe spy TV play in new century of China in2009, and led to a new round of creation andratings boom since then. After the Lurk, the similar trends of the spy TV plays werespringing up. Although the spy TV plays of Before the Dawn and Planted Agent lifted notsmall ratings waves, it has failed to climb the record ratings of Lurk. As therepresentative of the spy TV plays of Borrow Gun in2011and Cliff in2012is still“Bourne” on the screen, but now the spy TV plays of falling into the rut appeared a fewproblems in the creation. This article firstly combs the production of the spy TV playsand context of development, then analyzes the sign of maturity and developmentdilemma, finally explores the possibility of continued development of the spy TV playsin new century, and tries to seek a way of the breakthrough in order to keep thedevelopment of the spy TV plays.The article is divided into four chapters. The first chapter gives a brief introductionto the origin of the problem, literature data and theoretical methods.The second chapter is the main part of the article. We’ll try to discuss the exactdefinition and development trail of the spy TV plays from these two aspects. At the firstaspect, we will analyze the similarities and differences of the anti-espionage TV playsand spy TV plays, point out that the anti-espionage TV plays is the herald and prototypeof the spy TV plays in new century, and give the definition of the spy TV plays. On theissue of combing the development context of the new century spy TV plays, we sum upthe three waves of the spy TV plays in the history, and mainly discuss the production anddevelopment context of the spy TV plays.The third chapter focuses on the three main maturity signs of the spy TV plays innew century and expands specifically addressed. The first clear sign is the formation ofthe type pattern, the plot reaches the ultimate. The second sign is integration and evolution of the type. From the ideological connotations of view, the spy TV playsappears changes from political demands of the dominant ideology to the entertainmentand the aesthetic demands of daily life. From the perspective of creation and production,the spy TV plays absorbs many other types of elements, including to learn from elementsin America play to create the plot of the spy TV plays, and makes the spy TV plays moreinteresting. The third sign is the acting in cooperation with each other between the spyTV plays and the market, and we think that the maturity of the spy TV plays in newcentury is a result of marketization. The prevalence of the spy TV plays in new century isconfluence of Machiavellian culture and market. The spy TV plays uses the demands toMachiavellian culture from the audience, through the packaging of the revolutionary coatto cater to the dominant ideology and the market, then we’ll conclude that theMachiavellian culture is the production and the culture soil of prevalence of the spy TVplays.The forth chapter presents the main reasons of falling into the dilemma of the spyTV plays based on the previous two chapters. We’ll focus on the dilemma of creation, thepolicy checks and balances and cultural imbalances of the spy TV plays, and explode abreakthrough way by analyzing the problems. The spy TV plays in addition to seek abreakthrough in the production of standards and the type of fusion, spiritual connotationshould return to the purpose of the “anti-spy”.