The Introduction Of Sushi’s Calligraphy Thought

The main idea of this thesis is about research on Sushi’s calligraphy thought，theemphasis is to reveal the originality of Sushi’s calligraphy thought．Although Sushi didnot have any systematic theory works of calligraphy，many of his postscript，paper，comments on calligraphy，poetries and few words in other articles have great effects oncalligraphy at that time，this also leading to the formation of "Shangyi" style which arealong with “Jinyun” and “Tangfa”．Many of the calligraphers in later ages also have astyle of their own after absorbing Sushi’s calligraphy thought from different angles．Thisarticle is trying to systematize Sushi’s comments about calligraphy and clearly reveal histhought connotation on the basis of gathering information，detailed analysis and carefulinvestigation．Five parts are seprated in this article．The first part is introduction.It is mainly aboutanalysis of this subject at home and abroad．At present the filing and analysis for Sushi’sthoughts and specific works is very sufficient at home and abroad．From the aspect ofcalligraphy，it also has this feature.But there is a little difference is that there are manyresearch monographs about his poems，words，articles and literary thoughts．Howeverthere is still blank on his calligraphy theory monographs．Although some calligraphyhistorical works and calligraphy theory works have also involved Sushi’s comments oncalligraphy，the only grasp these two clues—his"Shang yi" thought and his attention onthe emotional input of calligraphy to discuss but they do not have any further discovery，the situation is the same with single article．The second part is Sushi’s creation concepts，four sections include in this part：thepurpose of his calligraphy study and creation,sequence of studying differentchirography，skill and knowledge，imitation and innovation．The third part is to researchhis aesthetic standard according to marked arguments from his comments oncalligraphy． This part also bestly represents the originality of his calligraphythought．The fourth part is to study his review on his own and others’ calligraphywork．The fifth part is to study his comments on calligraphy from historical aspect．Thispart would clearly show that he succeeds to the comments on calligraphy of previouscalligrapher by tracing the source．Moreover this part would further study the innovations of his comments on calligraphy，which are different from previous calligrapher．Finallyusing the influence of calligraphy theory thoughts to descendants to end and also choosesome representative calligrapher to analyse their succeed to Sushi’s calligraphy andcalligraphy theory thought in order to highlight the position of Sushi’s calligraphy theoryon histroy of Chinese calligraphy．...