On The Artistic Features Of Shen Yinmo 's Calligraphy And His Theory Of Calligraphy

In the late of Qing Dynasty, by the hundreds of years of the qing dynasty rulers and theinfluence of the social factors such as calligraphy,of serious imbalance in the development ofChinese calligraphy,Calligraphy pavilion cabinet body are loved by people,People advocatecalligraphy BeiXue,inhibit the development of calligraphy TieXue,Kang youwei andBaoShiChen leader of the Northern wei dynasty stone inscription was honored,CalligraphyTieXue had abandoned, in a low point.calligraphy is in a state of chaos.And then calligraphyTieXue had a Renaissanc at this moment,Shen Yinmo let calligraphy in back to normal.Heargued back represented by Wang Xizhi and Wang Xianzhi traditional calligraphy TieXuestudy. No doubt to the balanced development of Chinese modern calligraphy has importantinfluence,make him a very loud people in the history of calligraphy in modern China.He hasbecome one of indispensable character of our study of Chinese modern calligraphy.Shen Yinmo lifelong pursuit of calligraphy art research, If calligraphy theoryas”culture”,the art of calligraphy as a “martial arts”,then he is a civil and military fists figure.Onthe calligraphy, his regular script, running script and cursive script, the seal character, officialscript is pretty good, especially good at regular script and cursive script.Calligraphy words havemore than one inch, small as a grain of rice.There are many forms of calligraphy.In thecalligraphy theory, he focused on brushwork of forefathers’ research, to fill the vacancy ofcalligraphy brushwork during this period. This article on Shen Yinmo do a comprehensive,system, objective and fair, let us have a more in-depth knowledge of Shen Yinmo.This article isdivided into five parts: the first part is by Shen Yinmo’s life experiences, It adopts ShenYinmolive in different places for the cut-off point method, to introduce Shen Yinmo tortuous lifeexperiences and some brief learning change.The second part mainly introduces the learningprocess and the different social background.His calligraphy study in the second part is dividedinto hazy stage, Self-study stage, change stage, and innovation stage,and introduces the fourstages.In my opinion, if we want to thoroughly understand a calligrapher,we will have to learnhis social environment and the process of learning the calligraphy.The third part is the source andcharacteristics of Shen Yinmo calligraphy art.Tt comprehensive and detailed introduces thesource and characteristics of each style.And some productions of the calligraphy are alsoelucidated.In addition,I also explain the biased viewpoint that Shen Yinmo’s Calligraphy worksis vulgar.The fourth part is mainly introduces Shen Yinmo calligraphy theory,mainly through thebrushwork, posture, Artistic conception three parts to illustrate a part of Shen Yinmo calligraphytheory.The fifth part mainly introduces the influence on calligraphy art, calligraphy theory, education and poetry.Part of the first and second part is more complicated,part of the third andfourth part is the focus and difficulty of this articleWhen writing papers,I study many calligraphy theory and calligraphy by Shen Yinmowrited,and through books, Internet, library and classmates to collect a lot of literature materialabout calligraphy environment, social background,Calligraphy ink,calligraphy theory and thecalligraphy education practice during the period.there are also some predecessors to Shen Yinmocalligraphic art and the theory of evaluation, has carried on the analysis and comparison, toensure the accuracy and objectivity of the paper. Using comprehensive analysis method, researchmethod, extraction method and other research methods.