On The Wagner "Music Drama" And"Traditional Opera" Differences

Wagner music drama is a unique and independent of Music and Drama. Wagner, it is a product of unique artistic idea, it fundamentally different from other music drama, but in the tradition with the "traditional opera" inextricably linked.The traditional sense of the opera since Wagner was born to play music on the day before the show, some have experienced more than200years of time. During this period, music has long been enslaved by religious thought, music lost its soul and convey depicts the characteristics of caring, but to the Romantic period, the music began the effectiveness of human emotion. Wagner lived in the late Romanticism of his earlier music by music maestro, but different and important is this:Wagner’s music is a kind of prophecy, foretelling that his longing for the ideal world. He believes that theater is a great strength; is enough to replace his ideological transformation of the world. However, drama and music at this time that he expected no strength, only through the creation of their own in order to realize his ideal of art show."Dominant motive" is reflected not only in the creation of music for generations to lay the cornerstone of development, but more importantly is that he values this as a powerful weapon, the imprisonment to subvert the old theater.Wagner’s music drama is not made for the entertainment of the public, not to make up for the times. Drama is the drama of his symphonic style, the voice of philosophy, music, voice, drama, voice, voices, literary, architectural aesthetics and the aesthetic of the sound stage, the Ministry of numerous intertwined, and gradually increasing financial penetration, but for only "Overall the arts" and for the ideal, the ideal is to break the false imprisonment.Music plays each with their own ideas around the main line of the soul, since after the first notes sounded, it will never cease the development of drama in the end, not the last sound is in no way stop the regression. Carried out in the theater, the absence of a true sense of the termination of the traditional-style into people’s ears, it is not outrightly ruled out the possibility of traditional opera phenomenon. This is the dramatic revolution. Although we do notthe value of the old drama, but I am of the belief in the concept of music drama- the future of drama development.