From "Object" To The "Disposition" Of Transfer

Su Shi, we called him Zi Zhan and the Buddhist Dong Po, Meishan,Sichuan people. He is a famous writer, calligraphy and painting theorist in theNorthern Song Dynasty. First proposed the "scholar art" and created a"scholar art" forms and styles of paintings, and had a profound impact on thedevelopment of later paintings. Palace of painting dominated era at the time,other than court painting of Su Shi’s painting of a different style, it takescourage to be. This painting is made, through the development andinheritance of later painters, has produced a new style of painting is the"literati painting". Some of his thoughts of painting not only in thedevelopment of painting, and has been applied in the literature and calligraphy,in each area to achieve the perfect integration.This article from "object" to the "disposition" of the point of transfer, toresearch on Su Shi’s painting theory. First of all, through the analysis ofrepresentative Palace painting works, so as to clarify the Court paintingperformance "physical properties" feature, which state the Court paintingaesthetics and characteristics; Second, by drawing of Su Shi’s the dead wood,bamboo and stone background analysis of the representative works of creation,description of Su Shi’s paintings "disposition" feature, by comparison with thePalace painting to embody the art theory of Su Shi’s painting characteristics;Third, system analysis of causes of the scholar Su Shi’s theory of art; Finally,the description of scholars ’ painting and the painting of Su Shi’s theory on thesignificance and effect of later paintings. In view of this, full text is composedof five parts: First, an introduction; Second, from "Physical properties" to"Disposition" change performance; Third, the scholar Su Shi’s theory of artorigin; Fourth, on later painting effect and significance; fifth, summary.Theory of Su Shi’s paintings are mainly on “the painting to the shape, seeneighbors and children”, meaning to the articles and pay attention to the material, often losing common sense,"paste all the poems, HeavenlyCreations and fresh"，these four aspects to illustrate, but his painting theorynot only the case.Select this article which focuses on theoretical analysis, further describesthe painting of Su Shi’s thought is the basis for inheriting the predecessors topainting theory and on the development of new and innovative, tracing thepainting guidelines were "a new concept in statutes, send a written wonderfulacting outside of the bold" aesthetics thought of painting. He thought ofpainting and art theory，not only for future generations "literati painting"development has had a huge impact, and also has guide and reference on ourcontemporary art today.