| Known as "China’s first photographer" gu with director Zhang yimou and Chen kaige hadto China’s film to the world. After switching to director, Gu with nearly ten years to "grind"out "trilogy" and a micro movie. Rich working experience and profound art melting itsextraordinary artistic level and unique aesthetic style. As Gu himself puts it "movie with hisunderstanding of life", his works while intercepting different background of times, but alwaysfocus on ordinary life shine the brightness, more dialysis the deep contradictions of life, showa strong life consciousness of compassion.The root of all art is life, life consciousness results from the opposite and death awarenessand comprehension. With the "fifth generation" directors "feelings" and "sixth generation"directors "individual rebellion", Gu film warm and calm. He pay more attention to life itself,through to the vitality and trapped on the precise display, convey life deep plaintive wail. Gueverywhere in the film’s subject matter, theme, artistic tone contains life consciousness. Healways focus on the little collisions between ideal and reality. Besides expressing "admire andrespect", the film is more to life can’t get rid of the "length" of the "width" of the "depth" ofawareness: life is limited, death threats, age, geographical, self-cognition, ethics, such as"restricted", not so cruel reveals some kind of "truth" of life, cause the audience with this Iseriously thinking about the self."Born to die", and then get a positive attitude towards life,perhaps this is sincere strength of Gu film. In addition to the content in the rich "lifeconsciousness", as the art of "form" tone are wrapped up with one integrated mass this spiritis the kernel: poetic, simple plain image style, cold and do not break life tension,"in a staticdynamic" narrative rhythm, the use of dialect and folk customs, are the expression of thememovie in a strong power.Gu and naturally writers and others cooperation, reflects the Chinese contemporarymovie and literature on the spiritual dimensions again deep resonance and integration."Peacock","love" at the box office success also shows the gu effective exploration to find abalance between the arts and commerce. This movie more diversified and internationalizationin China today, the value is obvious. At the same time, we should also see the deficiency: themovie "love" narrative on disability,"bibcock" acerbity deep to understand, reflect theasymmetry on film expression and accept, this is not only gu to explore, is an importantsubject of the path of rise of the Chinese film. |
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