Theoretical Study Of Dunhuang Calligraphy

Calligraphy in Chinese characters as the carrier, brush or pen to the art of writing instruments. Compared to the ancient appliances, Chinese characters is an irreplaceable important role in promoting the Chinese history and heritage, which embodies the art of Chinese calligraphy Dunhuang literature it seems particularly important. Dunhuang calligraphy has a distinct form of artistic expression, to our understanding of traditional Chinese culture, traditional aesthetic and ethnic implication provides important reference and basis.Since Dunhuang Han bamboo and the Library Cave brought to light from the Dunhuang the Slips and write volume would be unprecedented attention, both to show the art of calligraphy shocked the world. Dunhuang calligraphy remains rich in variety, but after long time, the write volume most of the flow of overseas and other reasons, research is quite difficult to study the relatively small achievements writings. Read the results of previous studies, found rare Dunhuang Slips and Dunhuang Manuscripts research papers, in addition to the theoretical study of the Dunhuang calligraphy and book body rheology and features a combination of paper is not a lot, so this article will this both as the research object, as a theoretical basis for the content of Dunhuang studies and literature and other disciplines, respectively, starting from the development and characteristics of each of the Dunhuang calligraphy context. Introduction to summarize it, part of the Dunhuang Research calligraphy and explain the reasons for the selection of the perspective of this study. The body of the article first systematic explanation of Evolving Theory of Dunhuang calligraphy, and a brief introduction to each period representative calligraphy theoretical writings, Dunhuang calligraphy staging the order of the times and style features. Secondly, the Dunhuang calligraphy in accordance with the content and writing of the main different sort out and categorize, and describes the special form of manuscripts and features. Dunhuang calligraphy with a clear understanding, and finally focuses on the rheology of Dunhuang calligraphy book to appear in the Dunhuang cannelloni five chirography as a starting point in the development process in the body of the book to find the meeting point of the transition, and brief the the great calligrapher calligraphy make a significant contribution two Dunhuang nationality-Zhang Zhi and Suojing. Finally, the vision and direction of the development of Chinese calligraphy, has been pondering the problem of the course of the study, only initiate humble opinion, only hope that can provide more perspective in the research article.