The Research Of The Artistic Language Of Lacquer Painting From The Painting Materials In Contemporary Context

Lacquer painting of China has7000years’history, which comes from traditional lacquer art. The contemporary lacquer painting of China received attention at home and abroad through recent years’ progress, has became one of painting varieties that can not be ignored in the contemporary art. As with other kinds of painting, lacquer painting faced a lot of questions in the contemporary context. Such as the inheritance and protection of lacquer art, the local convergence with the world, the change of creators’ideas. And lacquer painting had to face a lot of opposition based insights into the problem and start thinking of reconstruction.Firstly, this article analyzes the characteristics of the contemporary lacquer painting and the development present situation at home and abroad, and then discusses the nature of the characteristics and development status of traditional painting materials, analysis two characteristics of the artistic language of lacquer painting,to explore the ontology of artistic language of lacquer painting, research the reconstruction of the subject of the artistic language of lacquer painting.The probe into the reconstruction of artistic language of lacquer painting is the core of modern lacquer painting development in the contemporary context. Meanwhile, traditional materials conduct themselves’ continuity and conversion, which is the feasibility of the reconstruction. We have to pure and return of the ontology of artistic language of lacquer painting, to make rational use of its performance practices, and to expand space of lacquer painting for development through adjustment creative thinking and creation means. It means not only a change of aesthetic standards and performance system, but also a revolution of lacquer painting materials.