Study On "Chuang Tzu" Feminine Beauty

In the warring states period, because of the development of economy and technology,academic thoughts has the unprecedented freedom, political theory schools of thoughtcontend. At this time of unprecedented freedom of thought theory contention of a hundredof thought "Chuang-tzu" in the emerge as the times require. As a master of the pre-Qinprose into a book,"Chuang-tzu" with its magnificent natural language, romanticuninhibited imagination and grotesque figures, showing Chuang-tzu detached attitude,life on the refraction was born few similar artistic style and aesthetic temperament, withthe high literary value. The book of "Chuang-tzu" reflects the feminine literatureconsciousness, aesthetic experience and philosophy. Both the angle, for example tochoose or ideas, way of life,"a Book Chuang-tzu" esteem to the feminine arecross-cutting. This paper aims to explore the "Chuang-tzu" in the literature contains andmore feminine thought, aesthetic feminine aesthetic experience, in the philosophy oftraditional Chinese thought and thought the feminine concept. This paper starts from the"Tao" as a theory to explain its basic connotation of more feminine, emphasizing the"Chuang-tzu" of "Yin" and "soft" covers and tolerance. Demonstration of "Chuang-tzu" insearch of the balance of yin and Yang based on partial feminine, heavy feminine beauty;and from "Tao" as the great significance of feminine beauty of method of "Chuang-tzu"the great role of Chuang-tzu thought and expression. Cultural origin of "Chuang-tzu" seekfeminine thought and reason.The introduction part briefly summarizes the Zhuang studies. Put forward the"feminine" this noun, and demonstration and explanation of its meaning. According to the"feminine" characteristics analysis of the performance in the Chinese literature.The second chapter of "Chuang-tzu"’s "Tao" feminine beauty. According to"Chuang-tzu" in the "Dao" is divided into two aspects. On the one hand,"Tao" is thehighest realm of Taoist advocated the practice and the highest ideal of subordinateconcept of macro, abstract. The author summed it up as "Tao theory". From theChuang-tzu of Lao Tzu’s "Tao" and the feminine view search "Chuang-tzu""Dao" thought of Chuang-tzu, from the ontology of gentlewomanly beauty to worship; on theother hand,"Tao" in "Chuang-tzu" in the further development of "Tao" to the variousparties method and the method, summarized as follows "". Around the "health concept"and "politics" argument "Tao" feminine essence. Zhuang Ziyin gentle connotation indetail. At the same time that eternal theme of Chuang-tzu I return continuation ofmotherhood.The third chapter "Chuang-tzu" to the "object" of feminine beauty, through the analysisof "Chuang-tzu" as the grotesques, big gourd, dissimilation image,"Chuang-tzu" on theback that maternal advocate and on female stress. Special emphasis on "Chuang-tzu" to"baby" intention expression "anti-abortion" thinking.The fourth chapter using the new concept: the poetic wisdom and poetic culture. Froma literary point of view,"Chuang-tzu" of the feminine beauty. It is part of the core of thetext. The relationship between large space demonstrates the poetic art and gentle with thebeginning of this chapter, and summarizes the connotation of the poetic art in ancientChinese literature. Conclusion: the poetic culture represents the feminine beauty.Therefore, this chapter focuses on the analysis of the poetic wisdom,"Chuang-tzu" in thethought in the literature on the poetic art. Demonstration of "Chuang-tzu" the literature onthe feminine beauty.The fifth chapter from the "Chuang-tzu" the thought origin and the techniquesdiscussed, causes to explore "Chuang-tzu" feminine beauty.