The Formal Beauty Of Wu Guanzhong’s Painting

Mr. Wu Guanzhong is one of the representative paintersirreplaceable play a decisive role in a twentieth Century Chinesepainting history and the international art scene. Mr. Wu Guanzhong isnot only the Chinese painting art master, and his literary masterpiece,is renowned at home and abroad, leaving many paintings and literarymasterpiece for later generations later, Mr Wu Guanzhong in manyrespects deep attainments, mainly oil painting, ink, color ink,sketches and art theory, literature and other aspects. The mostprominent of Mr Wu Guanzhong’s achievements is the traditionalChinese painting and the western modern painting languagecombination technique of expression, the use of traditional Chineseink painting to represent the concept of Western painting, the paintingform to show Chinese painting connotation, is Mr. Wu Guanzhongdevoted his life to the nationalization of the oil painting and themodernization of Chinese painting, he put the two good free together,played an important role for the development of the cause of Chinesepainting. The untiring exploration and pursuit of life of Mr. WuGuanzhong of eastern and Western painting language, aesthetic ideascontinue to use in their own creative practice, hard work pays off, hisart has formed a distinctive artistic characteristics, with his personal artistic style. Mr. Wu Guanzhong created one’s real feelings are thesource of our life, much more to his Jiangnan Water Village as thecenter of gravity, the aesthetic requirements of the national andpublic. Mr. Wu Guanzhong’s painting and literary works to have thecultural character of very high, since the nineteen eighties, hispaintings and art concept to adapt to the development of socialhistory, but also to adapt to the majority of people’s needs, theevolution and development of Chinese painting and to a new level. Mr.Wu Guanzhong is not in the painting on the transformation anddevelopment of Chinese painting provides important reference, butalso play an important role in the painting aesthetics, as both an artistand writer Mr. Wu Guanzhong, thus formed his unique cross-bordercriticism mode, the core problems with sincere sharp words live artcircles the remarkable characteristics of form aesthetics, is solvesthe problem rather than the construction of the system.Mr. Wu Guanzhong has written numerous articles on the theory ofpainting, these articles are reflects his aesthetic ideas, summarizedmainly embodied in the text, form and in the West with three points.Further analysis of the relationship between aesthetics and artisticcreation in the three theoretical perspectives, thus makingtheoretical reflection and painting, create a new situation of themodernization of Chinese painting, this paper mainly through theinterpretation of Mr. Wu Guanzhong’s painting the main aesthetics toreveal and understand Mr. Wu Guanzhong’s painting ideas form theimportance of beauty. Mr. Wu Guanzhong is not only one of importantChinese contemporary art history painter, is also one of thecontroversial artist, Mr. Wu Guanzhong will be the success of Chinese traditional painting and western contemporary art expressiontogether, he rooted for the motherland, devoted all his life to the oilpainting nationality and Chinese painting of modern painting, promotethe creative development Chinese modern painting, Mr. WuGuanzhong’s life created lots of painting works, at the same timepublished "Kite" not broken "content determines form""pen and inkwith the times when""Zero Ink" and other essays.This paper is divided into four chapters: the first chapterintroduces Wu Guanzhong’s life and artistic achievements. Mr. WuGuanzhong is not only a great painter, but also the art educator andessayist. Mr. Wu Guanzhong personally feel and witnessed theWestern masters of art. After returning to the Mr. Wu Guanzhong is agreat passion for painting, Western painting creative will be combinedtogether, has achieved great success. As an art educator Mr. WuGuanzhong pays more attention to the heuristic teaching,Gatasakishiki Mi as the main content of his teaching, he also stressedthe importance of localization.The second chapter analyzes Mr. Wu Guanzhong painting on theformal beauty, beauty, beauty of artistic conception and the beauty ofhuman body aesthetics. The beauty of form, mainly introduces Mr. WuGuanzhong understanding of the formal beauty of personal point ofview, mainly through the "beauty and the beautiful""creation" and"personal feeling and style""ancient and modern, East and west"artistic conception "and" Untitled "beginners" road, which isdiscussed from several aspects. Abstract beauty is the core of formbeauty, people’s instinctive love of beauty in form and beauty ofabstract. The beauty of artistic conception is a part of Mr. Wu Guanzhong in the creation of the most wonderful, mainly from themost touching part from the drawing object, more accurately thepursuit of the beauty of artistic conception of painting. The beauty ofthe human body is Mr. Wu Guanzhong believes that painting practicemost cannot lack, it is closely related with the natural beauty,complement each other. His paintings are good at point, black andwhite ash and red yellow green these elements to the performance ofthe abstract objects.The third chapter analysis of Mr. Wu Guanzhong’s aesthetic ideasin painting. Mr. Wu Guanzhong argues that there is no real life there isno artistic value, art must come from life. Mr Wu Guanzhong arguedthat no specific image zero ink.The fourth chapter mainly elaborates Mr. Wu Guanzhong aestheticthought in painting painting inspiration to us. Tell us the art to berooted in the reality of life, to express the illusion of the painting andfeelings, emphasizes painting must be innovative.This paper mainly from the point of view of Mr. Wu Guanzhong’spaintings and aesthetic point of view, combined with his prosein-depth research and analysis, through a comprehensiveunderstanding of Mr. Wu Guanzhong’s painting aesthetics tounderstand the beauty of form in his painting.