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A Brief Analysis Of Wu Guanzhong's Artistic Features

Posted on:2019-09-10Degree:MasterType:Thesis
Country:ChinaCandidate:L T XieFull Text:PDF
GTID:2405330545479283Subject:Chinese Painting
Abstract/Summary:PDF Full Text Request
Wu Guanzhong devoted his life to the exploration of the nationalization of oil painting and the modernization of Chinese painting.He tried to combine the European oil painting with the intuitive and vivid nature of nature,the richness of the color of oil painting and the traditional Chinese artistic spirit and aesthetic ideal.The modernization of Chinese painting has made outstanding contributions to the nationalization and localization of oil painting.Based on the author's long-term learning and practice of Wu Guanzhong's works,this paper discusses Wu Guanzhong's understanding of art,and describes his understanding and feelings of Wu Guanzhong's art from the aspects of painting's charm,vitality,line,color and composition.Mr.Wu Guanzhong's works,whether painting or sketch,mostly to the vivid standard,each of his works are from outdoor painting work,in the long-term practice of painting process,he reached the highest realm of heaven,feeling nature quiver pulse,with lines to capture the nature of life the rhythm of the life of the body with hot abstract lines generally separated from the object in the complex.Each of his works will not be repeated and even the themes are rarely repeated.Every work is filled with his strong mental feelings and delicate details of life details.He directly or carry heavy equipment wander creation directly on the scene,or capture the essence of the objective and then back to the studio to create through sketches,all works must have feelings of brewing,then the concept and present.The traditional Western painting is on the basic blocks of the turning light and shade relations to complete the nationalization of oil painting,oil painting China,is to take the context Chinese unique culture and Chinese painting personalized language full integration into the painting to modern painting;Chinese is to put the oil painting color and composition used China ink to this kind of fusion is not simply with oil painting or painting tools China China painting tool painting.In that case,the nationalization of oil painting and modern painting China is empty,without any meaning,this kind of fusion,is to China painting lines,composition,tone,and fully use the new poetic composition the oil painting language to express,is to put the color and structure of painting perfectly into the ink.Wu Guanzhong in the painting on the use of lines is a major innovation breakthrough,effect of horizontal strokes with the trunk,the hook line hook in a pen;color ink painting,he created a new line,this line is not a stroke out,but ejected with the airbrush.He thinks that Chinese paintings are like poetry and Western paintings,and their works are built on walls.The images of buildings will be more impacting.Therefore,composition plays an important role in painting.This paper focuses on the analysis of the color change of Wu Guanzhong's painting process from the primary period,silver,white,black and brilliant period of time period,and from the perspective of their own practice a little understanding of color.In the course of the development of Chinese art in the late twentieth Century,Wu Guanzhong's status was obviously unique.To explore and make painstaking efforts in his life painting modernization and nationalization of oil painting ink,by virtue of his own wisdom and courage raised beyond the age limitations of art theory and art view,create thousands of excellent works and to their own personality and passion for writing a lot of meaningful connotation of prose poetry and art Ougan,he is a marvel China art history,have a profound impact on the later development of his philosophy of art will China art road.
Keywords/Search Tags:Wu Guanzhong, Vitality, Form beauty, Qiyun
PDF Full Text Request
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