The Transfomation Of Chinese Martial Film In Twenty-First Century

As a special kind of film in China and as well the film of the most influence among the incomplete categories of films in China, martial art film has an irreplaceable position in the whole historical progress of Chinese film. With characteristic of Chinese national culture, it is well accepted by the audience all over the world. Since China accessed to the WTO, its film and television industry has suffered from larger pressure than before. It is mentioned that the commercial value of film is related to the survival of film. In new age, when a breakthrough and progress in innovation of the martial arts film has been made, some fatal defects also exist in martial arts film making on the way to internationalization.This dissertation can be divided into four main content parts. This role in the first part, the full text, from the review of the historical evolution of martial arts films, martial arts film cultural resources advantage, comprehensive type film theory, summarizes the martial arts film in movie history status and performance. The second part, the first section, the time background of martial arts films in the new century transformation, and points out that at the beginning of the21st century for coincidence, the trend of martial arts and has certain inevitability. Section2described this period wu control-insistent pang in the subject, connotation, type, characteristics, extend the wu style, etc, and presents the new features. The third part, the selection of mainland China, Hong Kong, Taiwan, three areas of text analysis in the fourth part, in the new century chivalrous-swordsman films "defects," text analysis, for the period of martial art works most the proud achievements in business, rather than its real value. Points to martial arts film side is under "the blockbuster model" anesthesia of false prosperity, on the other side motif concern about lack of cavity die.