The Research On The Cultural Of Tang Dynasty Costumes Aesthetic

Under the premise of inheriting the traditional costumes aesthetic culture of the Chinese nation, and compromising aesthetic culture of various of the minorities or even the overseas alien, the aesthetic culture of the Tang Dynasty costumes formed. Because of the special social history background and the special era of the environment, the Tang Dynasty costumes aesthetic culture is destined not just a flash-off "Meteor" to in the history of Chinese clothing aesthetic culture. It not only compromising Classical Chinese traditional culture such as Confucianism, Taoism and Buddhism, and also showing an infinite life recollection and reflection overall. Like the glorious eternal Polaris, it leads the development of the Chinese clothing aesthetic cultural because of its unique style, fine materials, unique pattern.This paper studying the aesthetic culture of the Tang Dynasty costumes by compromising the social background and the cultural background of Tang Dynasty. It was divided into four chapters. The first chapter including two sections by introducing the background of the aesthetic culture of the Tang Dynasty costumes when it appeared. The first section introduces the social background of the Tang Dynasty costumes aesthetic culture for the ruler of the political, economic, foreign policy and other aspects of the Tang Dynasty costumes of interpretation. It includes three parts:the enlightened monarchy, a solid material foundation, open and inclusive courage. The second section introduces the cultural background of the Tang Dynasty costumes aesthetic culture by explaining the aesthetics thought of the traditional Chinese culture classics of Confucianism, Taoism, Buddhism and other. For example, the impaction of Confucian ethics aesthetics for "identity" aesthetic sense of the Tang Dynasty costumes; the effect of the Taoist "natural" aesthetic ideas for the attention of ecological harmony and the aspiration of comfort dressing awareness of the Tang Dynasty costumes; the impaction of the open concept of nothing aesthetic awareness of the Buddhist on showing the beauty of the body of the Tang Dynasty costumes aesthetic culture.The second chapter is divided into two, the first quarter gives an overview of the three main rheological phase and three rheological phase features of aesthetic culture of the Tang Dynasty costumes according to the criteria which is identified by contemporary scholars——the early Tang, the flourishing Tang and the late Tang. The three rheological phase features are Natural and elegant, Showily thon and Gorgeous grotesque. The second section carries on the summaries of cultural characteristics which are presented by Tang Dynasty costumes overall from the aesthetic artistic conception, aesthetic consciousness, aesthetic spirit. In order to show my ideas intuitively to readers, I insert pictures in this section.The third chapter is the focus and the body of this article, I analyze the aesthetic culture of the Tang Dynasty costumes from different aesthetic perspectives. These aesthetic perspectives including perspective of ecological aesthetics, perspective of Practical aesthetics and perspective of Aesthetic artistic conception. The first section interprets the theories of Chinese and foreign philosophy which make up the foundation of Ecological Aesthetics.And then,it demonstrates the aesthetic culture of the Tang Dynasty costumes from three aspects——the ecological aesthetic ideas of the Tang dynasty embodied in the pattern making and selection, the ecological aesthetic ideas of the Tang dynasty embodied in the color selection and matching, the ecological balance of the social relations between people and the man himself which is demonstrated from their love of Hu Fu and their tolerance and acceptance of a woman disguised as a man. In the second section, practical aesthetics characteristics of the Tang Dynasty costumes were introduced from the perspective of practical aesthetics. On the base of the aesthetic artistic conceptions, the third quarter shows the artistic beauty of the Tang dynasty fashion aesthetic culture from design, color matching and pattern adornmentThe fourth chapter is the part of the influence and significance of the Tang Dynasty costumes aesthetic culture. Aesthetic culture of the Tang Dynasty costumes can be summarized as the influence of the Minority Costume (Tubo, for example), the impact on the foreign costumes aesthetic culture (Japan, South Korea, for example) and the culture of modern fashion aesthetics. Finally, the paper summaries the practical significance for studying the aesthetic culture of the Tang Dynasty costumes. It points out that the study of the Tang dynasty offers the regular knowledge for fashion aesthetic culture today. It also plays an important role for carrying forward the traditional culture of the Chinese nation and coping with the influx of foreign culture. Moreover, it will provide valuable experience for us in the context of globalization.