The Study On The Theory Of Dialogue In The Literary Mind And The Carving Of Dragons

Although the theory of dialogue proposed by the theorists of the Western theories, the theoretical results of the West, but there is also exist the idea of dialogue in Chinese literature and literary theory. Liu Xie’s The Literary Mind and the Carving of Dragons as our great works of literary theory, which contains a rich dialogue theoretical ideas. First of all, The Literary Mind and the Carving of Dragons is formed in a specific cultural discourse space, carrying the words of others, constitute intertextual dialogue relations with other text, intertextuality is the existence of the text. Liu Xie’s creation and theoretical ideas became manifest in the text dialogue with the text. Secondly, The Literary Mind and the Carving of Dragons of "Tao" and "Pattern","affection between human being and nature,"God and the Physical World" and other aspects of theoretical ideas as the subject of the "heart" and object "objects" there are interrelated and mutually fit the relationship between subject and object is not passive, but through interaction, exchange of dialogue process is able to express emotions and ideas. Once again, the author and the reader in the art activities intersubjectivity, they are not isolated, but in exchange, interactive relationship. Literary activities, Liu Xie advocates to base on the classic and learn from the saints,but in reality is a dialogue with the saints; In the reading activities, the reader in the interpretation and interpretation of the text, but in fact it is a kind of dialogue between reader and writer, they become a bosom friend, resonating in thought. Through the exchange interaction makes the whole art activities to be completed.The dialogue let The Literary Mind and The Literary Mind and the Carving of Dragons to be produced and have shining light.