In The New Period Of Chinese Film Music Cultural Critique

The music in the movie is very significant, this sense has gone through theprocess of development and change. This is one of the most important movie of themusical expression change by the simple picture mode can appear independent of thewill of the individual, the filmmakers provide a broader narrative space and realized.Until now from the fifth-generation director, Chinese film has been innovativeimprovement, along with the acceleration of social processes, the films sense ofindependence through simple development process. We can find, the independentspirit of self, often through music is the best means to declare the above. This articleis based on the analysis methods of traditional music, try to make a new "strength ofthe Law of the film music analysis. Discrimination on the picture of Chinese societyin the new period film, the new era since the film music is divided into a "transitionalperiod", the "independent ideographic practice period and the cultural character of theformation of the three periods, it can be said of film music in the new era applicationcharacteristics, in line with the cultural context of society as a whole, at the same time,the film as popular culture, to promote its national character and spirit of the popular"traditional", "system", "Grand" of understanding and deconstruction. From theaesthetic point of view and the sociological point of view appear as a cultural symbolmovies, music, film music as a commercial symbol in the diversified era before andafter which the different situation.Obtained film music, the "independent" powerfulimplement of mass culture and its implementation process, and consumerism in artcaused by the negative impact. Which always contains three of the aesthetic level ofthe film music of America, the carnival of personal and order challenges, in order tocomplete the film music in the new era of cultural criticism.