Traditional Chinese Figure Painting And Contemporary Figure Painting Line Model

Lines in Chinese painting in the history of the unique style, and long time as recognition ofChinese art important attribute and identity. For thousands of years, Chinese artists by virtue of apsychologically to line a keen sensibility, consciously in the heart and the lines between theestablishment of a very close relationship, with lines to phenomenon of nature at end of thestylus, with lines to create their spiritual aesthetic schema, and in a special shape of thephilosophical implication in show the nation’s unique psychological structure and aestheticemotion.In such a linear culture, art background, the line to form a traditional Chinese figurepainting artists painting of choice, they line the idea and method of object of observation,consciously discard other complex visual disturbances, natural image subjective initiative intoline art image, and to depict and performance.Era of constant change, culture, art in the context of changing, line in the Chinese paintingin the form of expression and role change. Both the light and dark treatment with Western art,sketch modeling and modern composition factors such as marriage, or from the color, materialchange, painting" line" changes already was a fact that does not dispute.At home and abroad on the study of line. If Mr. Zehou Li is devoted to study of the" cleanlines -- calligraphy beauty", that it" is not a general pattern of formal beauty, decoration of theUnited States, but the true sense of the meaningful form"; the British artists and art theorist HReed in" the essence of art" also introduced the line function, found in simple lines abstractability. However, according to ancient Chinese figure painting line shape to do a comparativestudy of the artists and theorists do not much.This article through to the Chinese figure painting lines to form the maturity of thetraditional system and the current development of the new state undertakes contrasting study,hope to be able to" traditional" and" modern" in comparison to realize the" traditional" and"modern" exchanges, for the future practice of clear direction.This thesis consists of three chapters. The first chapter from the Chinese art of linearperspective, from the cultural philosophy and aesthetic charm two aspects, discusses the art ofChinese painting chose modeling lines as the main means of reason. The second chapter from the lines in the form of lines, line shape, taste with five aspects, on traditional figure paintingand contemporary figure painting line shape of "line" the careful comparison. The third chapterfrom the cultural factors and background art angle elaborated contemporary figure painting lineshape of root.