Contemporary Poetry In The Yuan Poetry Writing

Meta-poetry consciousness works in the early 1980s has been sporadic,especially in the 1990s a meta-poetry has become to be valued. meta-poetry graduallyushered to the attention of reviewers. Especially in the 1990s, the element ofmeta-poetry writing strategy has become the consensus of the vast majority of poets.It is no exaggeration to say that the meta-poetry is a bright landscape in the poetryworld. Exploration of the poet for writing, for the poets own situation and thelanguage of self-discipline, always seemed especially mysterious, especially theintroduction. Meta -poetry is not like metafiction, Meta -criticized, both in literarycriticism has been made in the preliminary consensus. For the latter two studies, moresystematic improvement has been built.Meta- poetry is also a lack of mature theory, with disproportionate PoetryCriticism rarely, and only scattered all kinds of writings, to lack of induction of thesystem, has not been a detailed explanation. Element of poetry criticism in recentyears is gradually to spark the trend, but was restricted to a specific interpretation of asingle text, to be short of deep-level summary of research. Contemporary element ofpoetry is satisfied also more types of analysis, to be scanty of longitudinal grasp.Poetry reviews has been more dependent on the significance of genre or poetryhistorian. This article hope to make meta-poetry a reasonable value proposition.The study of contemporary poetry has been biased on emphasis on poetics ofopposition, rebellion and split, for example, after Misty replacement for Misty, poeticconfrontation between the intellectuals writing folk writing. The commonality andaesthetic inherited has been unconscious shelter. In this regard stems from thecontention of the power of discourse, a latecomer to confirm their identity image andwin the lawful conduct opportunity. There is even a mix of opportunism on the vulgar,the right to play and art. In order to avoid the rough qualitative Poetry simple interpretation of the poetic history of group turnover, it is split to take a new space todevelop contemporary poetics. Contemporary poetry tends to gradually adjust theirideas and theoretical approaches, go to the focus of the poetic text itself by externalmovement concerned about the poetry. I tried to make the incision of the meta-poetry,out of formality, as the domain of the poetry community instead of focusing on, toavoid the narrow concept of poetic isolation to the sounding outside the unity of thepoem in the Poetic Genre Body mass, Kai Juechu been repressed and neglected poetryphenomenon potential aesthetic substrates. Then to the meta poetry for clues to teaseout a broadly Arts and context. To respond to the calls of Returning poetry to foroverall grasp of contemporary poetry. In this article ,I will focuses on the researchelement of poetry poetic background, it is necessary to find some of the Westernliterary theory composition, but also to measure the aesthetics of classical poetry inwhich constitute what the ratio is. Based on this, to retain the validity of the conceptof meta-poetry;in the process of explaining to meta poem, I will pay more attention tothe deep interaction and historical background of the meta-poetry ,because of thespecific history of the external background conditions and historical periods is boundto give meta-poem a far-reaching background material (the words of Zhang taozhou)should not only focus on the overall aesthetic Transmutation meta-poems, but also tograsp the typical significance of the case studies. It isnot ignored in the process ofinterpretation of the meta-poetry intertwined with other meta novels and other literaryassociation. Perhaps only in this way ,we can establish the conception of themeta-poem.