Modern Chinese Flower-and-bird Paintings Reflection Performance Research

With the development of times, contemporary artists begin to take strong interest in water-reflection of the natural beauty, so the subject of water-reflection in Flower and-bird painting is paid attention gradually. Go after to its origin, in the peak of the painting period in song dynasty, flower and-bird painting influenced by landscape painting.So some works with water-reflection appeared, but the number was not very more. To the Yuan dynasty, painting of expressing people’s spirit was flourished, and artists paid more attention to show people’s spiritual feelings, water-reflection was often overlooked, all most there were no water-reflection works emerged in flower and-bird paintings, and then by the Ming and Qing dynasties, painting was impacted by western culture, the painting about water-reflection scene began to appear, and after new China’s foundation, art fields show flowers blossom phenomenon. Art creation had a diversified development, at the same time it was influenced by western painting ideological trend, the photography art, the traditional culture, and many other factors, the Chinese paintings with water-reflection gradually increased, especially when come to the 20th century, contemporary artists also began to take interest in the water-reflection, and at the 7th traditional Chinese realistic painting exhibition, the 9th national fine arts exhibition, the 11th national fine arts exhibition, the first modern Chinese realistic painting exhibition etc, works with the water-reflection appeared. Among them, involving Landscape, Flowers and-birds, Characters, and so on, the type of water-reflection painting diversified in the form of expression and performance skills. But at present,scholars have made less research on water reflection in Chinese paintings. So it is lack of theoretical research work. This paper is to talk about the adoption of water reflection in modern Flower and-bird’s painting, the aim is to make a preliminary exploration to the formation reasons of the water-reflection in modern Chinese painting. At the same time,by the study to modern Flower and-bird painter’s works, percept contemporary artists’subtle observation to the water-reflection, learn contemporary artists’explore spirit. Thus to make a systematical study to the water-reflection of traditional Chinese painting phenomenon.Thus to provide a beneficial supplement to the study of Chinese Flower and-bird painting development historyThis paper is divided into three chapters. The first chapter mainly expounds the current researching situation and space of the water-reflection of Chinese painting, it’s also a basic and foundation of this paper. Through consulting the ancient literature, modern literature, and creative documentary materials, to make a exploration and analysis to the modern Chinese water-reflection painting history,study value, and current researching status. Through the Chinese water-reflection painting’historical origin, development space and the research innovation several aspects.The second chapter focuses on the formation reasons of "water-reflection" in modern Chinese painting’, trying to disicuss from the introduction of western painting, modern photography skills, and the influence of the modern foundation education three aspects. To expounds the specific reasons and forming process of the water reflection in modern China painting circle. At the same time, make a detailed demonstration about the Chinese water reflection painting from the times’factors and modern painter’s education background.In chapter three, the key point is to make a specific analyses and discussion to some representative modern Chinese flower and-bird paintings,which show water reflection in it. Mainly discuss from the water-reflection’s expression form, expression style, expression skills. so as to do some sort out and induction work. This is also the key to the full text.This paper focuses on the study the water-reflection in Chinese flower and bird painting,, The main innovation of this study is that the reflection of the performance of the Chinese flower and bird of the earliest, is derived from the exchange climax of Chinese and Western cultures three times during the Eastern Han, Tang and Song dynasties.I hope through this paper explore the guiding role of my paintings. Also hope that the research on Chinese painting has a certain theoretical meaning.