The Affection Of Animation Film Camera Language Research

The animation is a comprehensive art, is a combination of art forms of literature, painting, music, theater, film, digital media and other kinds of art. However, it is obvious with the "integrated" can not fully cover the animation this particular art form, because in addition to some features of both these art forms, animation, of course, also has the characteristics of their body, otherwise, the animation can not become an independent category of art. This feature is the basic syntax by animation-visual language, in particular the characteristics of the language of the camera. Ideas and use of the language of the camera penetration in various stages of the animation, if not the times to understand the status of the animated film camera language and development are impossible to have good works handed over to the audience.In light of this, the paper animation camera language focus convey the emotions of the animation as the starting point, grasp the animation the most basic features, and keep up the development of animation films to the latest available as the research object, the system of sorting out and study the form and content of the animation, the text is divided into the following sections:first, introduction, introduces the current lack of knowledge and misunderstanding of the animated language of the camera, as well as narrative and emotional expression and other issues as elements of positioning are not allowed to clarify the election practical significance and necessity of the question. Defined in this paper to study the context and meaning, methods, and innovations. Second, an overview of the use of the language of the camera in the animated film of emotional expression. Divided into specific language of the camera on the role of emotional expression story narrative, artistic image of the construction and shaping the communication of thoughts and feelings. Third, the language of the camera’s internal "to constitute the relationship between elements and emotional expression. Starting from the composition of the way, the use of color and light to the existing theory and concrete examples of the combination of these elements of the comprehensive discussion of the role of emotional expression. Fourth, the language of the camera outside "the formation of the relationship between elements and emotional expression. Mainly starting from the Scene, the use of angles and movement. Fifth, talk about the clips to form the language of the camera changes the role of emotional expression on the animation, the first frame for the research unit, from freeze upgraded, downgraded and four aspects of the pumping cell to conduct research and analysis with the help of their emotional expression, and then analyze the most important language of the animated film of montage and long shot, to distinguish their differences, and analysis of the relationship between emotional expression, and finally the emotional expression and detail along with the3D era, images and sound quietly changing times, the language of the camera changes.Theory should be obtained from the practice, theory considerable guidance for future practice. This paper is meant to from the outside, inside and outside the dialectic animated film camera language of emotional expression.