Song And Yuan Panoramic Flower-and-bird Paintings Form Language Leaning Slightly

In the realm of art, the meaning of the forms of language performance is very important, and with its relative independence. A painting, the most important factor is the construction of the screen in the form of language, to construct the formal language of the work we must first determine how to understand and master the basic meaning and role of the formal language. The works in the form of language includes the following aspects:the content theme of the works, the composition of the work rules, modeling features, screen black, white and gray relations and the color of the screen processing, and more. The painting is based on the performance of the visual image and the author’s subjective feel for the characteristics of art forms, either figurative imagery, or the works of abstract expressionism, the work in the form of language arts to the basis for achieving In other words, if the work is the construction of formal languages, the painter can not be subjective feelings into concrete expression the painter to master and use formal language can fully reflect the artist thinking wisdom and artistic personality characteristics, but also the final implementation of the works.The creation of bird and flower painting in the Ming and Qing Dynasties more than the sprays sketch style, metaphor, self-lyric subjective performance-based and more poetry and literature printing, and even formed a general sense of a modern bird and flower painting paradigm and interesting standard. Once the bird and flower painting in the works of the importance of the type of fade artists and researchers’s attention. With the panoramic view of the Song and Yuan bird and flower painting, the traditional mainstream academia, literati painting, ink painting is more comprehensive and in-depth; panoramic bird and flower painting, ink the formal language study in the current look is not enough system in-depth, relevant The results are more scattered. Panoramic view of the Song and Yuan bird and flower painting from the currently available literature, only a few relevant papers, generalities to talk about or mention only and composition features have yet to find each cell of the language system, panoramic bird and flower painting in the form of the Song and Yuan in-depth study of specialized texts. On the basis of inspection the handed panoramic view of the Song and Yuan bird and flower painting plates and related literature, the topics in the form of language in the panoramic view of the Song and Yuan bird and flower painting creation constitutes a multifaceted, multi-angle, depth combing summary, the innovation of this paper lies. The panoramic view of the Song and Yuan bird and flower painting in the form language, and strive to rediscover our understanding of the new perspective of the Song and Yuan panoramic bird and flower painting. On the basis of previous theoretical studies, explore carding some of the inherent laws of the panoramic view of the Song and Yuan bird and flower painting in the creation of language, a systematic analysis of inductive research. This is a great help to our in-depth and comprehensive understanding of the panoramic bird and flower painting art, in order to further broaden the bird and flower painting in the contemporary multicultural context we face creative ideas to improve the artistic standards of the Chinese bird and flower painting.