From Gender Writing To The Exploration Of Skill

Zhai Yongming is on behalf of poetesses in Chinese female poetry. Her poetry named "Women" is finished in1984,which is a representative in Chinese female poetry. Her poetry is not limited by confession and somatic writing. She changed the way of writing in the end of eighty in20th century.I will discuss her writing feature during The1980s and The1990s. The first part of the paper will focus on the Feminine Writing during The1980s. Three Areas are theme of female, confession and somatic writing of the way of writing. By means of these, I will find out her way of writing.The second part of the paper will focus on the exploration of poetic skill during The1990s.After replacing the Feminine Writing with the feminine consciousness, Zhai Yongming finally changed her way of writing in the start of The Nineties. At that time, she focused on the poetic skill. She walked along the road of comprehensive writing, and introduced the narrative prose and dramatization to her poetry. The transformation not only enlarge the capacity of the poetry,but also enhance the tension of the poetry. First, the identity nattative in her poem no longer appeared as intense intervention attitude, but became conditional participant in daily scene. Meanwhile, she introduced simple storylines in to her poems with the way of "narrative lyric", which strengthened the expression force. Second, the scene dialogue structure and contrast conflict of drama were introduced into Zhai Yongming’s poems. To be noticed, at that time, she was not copying the dramatise which was highly praised by Britain and the new criticism, but putting statements of fact about another event and individual review into the poem, and working through the integrity and consistency of the drama on purpose, so that to achieve the effect called the dramatic dramatically.Zhai Yongming, the poet, established her status in the field of contemporary feminine poetry in China by her sex writing in1980s and exploration on creation characteristic of poem in1990s. The meaning and value of her poem mainly are embodied in three aspects. First, she structured the unique feminine sense of darkness and discovered and founded the feminine selbstwelt, which was used to counter against male-dominated’daylight’. Second, she created the poem image and language which was only owned by Chinese contemporary female poet. She not only used a large amount of metaphors which standing for’deficiency’,’wait’,’astriction’, to present female’s struggling heart in the world of patriarchy-centered discourse, and moreover, enriched a stream of strong mystery atmosphere. At the same time, she showed feminine creative perspective in emotion melt by using confessions language in poem, and in this way, she succeeded in letting female get rid of lasting aphasia dilemma and make their own wonderful sound. Third, Zhai Yongming outreach the depth and range of feminine poetry, by means of continuous exploration on ars poetica. With the transition of poetry creation, she broke through the repeating poem theme and writing mode of women poets in late1980s and early1990s, and injected new blood into her work, threaded the path of’integrated writing’and entered a more open poetry world.