The Theory Of The Fusion Of Guzheng Music And Beijing Opera

This paper first harp music as examples of two, interpretation of zhengmusic absorb, the fusion Beijing Opera music features of the specific performance.Through two piece of original and Guzheng version of comparative analysis, PekingOpera music from the point of view of the Chinese music in techniques, trying toexplore harp music techniques how to embody the Peking Opera music features, andabsorb, the fusion Beijing Opera music to harp music performance style influence.Whole text includes the introduction, the text and epilogue. Preface illustrates theorigin of this study, the predecessor’s research results, as well as the research methodand the path. The text is divided into three chapters. The first chapter from historicalorigin, aesthetic pursuit, music vocabulary three levels, discusses the joy and BeijingOpera music at the possibility of fusion. The second chapter focuses on music,especially at traditional harp music history in the process of the development of localopera music to recruit and successful experience. The third chapter of the art ofplaying closely around the actual, through to the two music score, the recordingversion of the analysis and comparison, display the zheng music “the WenJi backHan”,“the deep night” in music and actual playing music features of Beijing Operasuccessfully reference, transplantation and use. Conclusion is the summary of of thefull text.